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Cold War

Posted : 5 years, 1 month ago on 8 March 2019 01:35

Watching this is like reading a Junichiro Tanizaki short story: you’re enthralled by all the ways that love can blossom into something toxic and obsessive. After all, we are witnessing a couple break up then crash back into each other’s lives repeatedly over a fifteen year span. It’s a slim narrative but one propelled by a lean, mean artistic minimalism that crafts some sublime, transcendent moments of love and lust careening towards the edge of destruction.

 

Don’t get Cold War’s title twisted as a statement on the encroachment of sociopolitical forces on the couple’s lives. They’re present in the background but not meaningfully engaged or explored. There’s not much emotional depth here, so Cold War is powered through by the driving forces of its beautiful, haunting images and its lead actress’ dynamic work.

 

The images carry an emotive power that the story’s fatalism and flirtations with oblivion may otherwise lack. It isn’t just that Zula and Wiktor are thunderstruck from their first meeting, but in the ways that they animalistically caress and devour each other. It’s in the way that watching Zula listen to “Rock Around the Clock” and carnally dance towards the edge of madness and self-destruction in front of an entire club says more about her displaced point-of-view than anything else. While Wiktor welcomes the modernity of Paris and changing times as an excuse to shed the oppressiveness of Polish society, Zula is continually ahead of the curve in her libertine morality and ferocious physicality. If only we had spent more time with her and less with Wiktor’s dyspeptic looking composer.

 

It’s engrossing to watch two people barrel into each other and disrupt everything around them for the sake of love, or something like it. It’s downright shocking to learn that director Pawel Pawlikowski intended this as a tribute to his parents love affair. How he managed to make this perpetual implosion look and feel like beautifully reoccurring rendezvous is impressive. What exactly drives them to and from each other isn’t always clear, but there’s still a richness here that is overpowering.



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Cold War (2018) review

Posted : 5 years, 3 months ago on 14 January 2019 12:40

One of the really 2018 best. Pawlikowski improves and exceeds previous Ida's standards, and it's the same Poland, beginning and ending in a ruined church (just missing 'Popiol i diament' Wajda's inverted Christ). Zula is fantastic, weord, fatale in a cold fucking war way. I love the second paris segment when she spits on her own star figure,throwing the longplay and insulting the 'femme poet'...


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An average movie

Posted : 5 years, 4 months ago on 16 December 2018 06:40

Even though I didn't really like 'Ida', I was quite eager to give this director a 2nd chance, especially since this movie had been widely heralded and was even considered as one of the best movies released in 2018. Well, unfortunately, pretty much like with 'Ida', I really struggled to connect with this movie. I mean, once again, Pawel Pawlikowski delivered some fine directing with a gorgeous black-and-white cinematography and the music was really neat as well but this story just didn't really work for me. First of all, even though I completely understood why Wiktor would fall in love with Zula, after all, she was a beautiful and fascinating woman, I didn't really get why Zula was so infatuated with  him. I mean, seriously, what was so amazing about this guy? Then, another problem I had was that I was never able to figure out the motivations of these two characters. I mean, except from the fact they were clearly mad in love, from the beginning until the very end, I still didn't much have a clue about what was going in their head so I had a rather hard time to really care about what they were going through. Maybe I'm not just smart enough but it was all too subtile and subjective for me, I guess. On the other hand, I did like the way Pawlikowski tried to argue that not all the people living in Poland during the Cold War felt miserable and that the West was not always a so-called 'beacon' of hope and freedom for all of them. Anyway, even though this movie didn't really work for me, it is still definitely worth a look, especially if you like the genre. 


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