Unforgiven update feed
" Notes: Even though some actors-turned-directors like Robert Redford, Kevin Costner, Mel Gibson or even Ben Affleck got some immediate critical recognition, it surprisingly took Clint Eastwood 20 years to get there, to finally be acknowledged as a major film maker. What happened then? This movie happened and completely changed the outlook on this icon whose work as a director wasn't really taken seriously until that point. I mean, Eastwood had already made 3 Westerns so far ('High Plains Drifte"
" Notes: Even though some actors-turned-directors like Robert Redford, Kevin Costner, Mel Gibson or even Ben Affleck got some immediate critical recognition, it surprisingly took Clint Eastwood 20 years to get there, to finally be acknowledged as a major film maker. What happened then? This movie happened and completely changed the outlook on this icon whose work as a director wasn't really taken seriously until that point. I mean, Eastwood had already made 3 Westerns so far ('High Plains Drifte"
"2011: 655 2010: 643 2009: 628 2008: 615 2007: 597 2006: 590 2005: 455 2004: 374 2003: 385 2002: 354 2001: 406 2000: 408 1999: 380 "
" Directed by: Clint Eastwood Produced by: Clint Eastwood, Julian Ludwig, and David Yates Written by: David Webb Peoples Cinematography: Jack N. Green Edited by: Joel Cox Music by: Lennie Nielhaus Distributed by: Warner Bros."
"2010: 643 2009: 628 2008: 615 2007: 597 2006: 590 2005: 455 2004: 374 2003: 385 2002: 354 2001: 406 2000: 408 1999: 380 "
"2009: 628 2008: 615 2007: 597 2006: 590 2005: 455 2004: 374 2003: 385 2002: 354 2001: 406 2000: 408 1999: 380 "
"5.1. DVD Uusintakatselu. Parhaita esimerkkejä uudislänkkäristä. Ei sankareita, ei pahiksia. Vain joko enemmän tai vähemmän paskoja ihmisiä, aikansa ja paikkansa vankeja."
“It is fitting that Unforgiven would be Clint Eastwood’s final traditional western, as it seems obsessed with not only the mythologies and portent of the Old West, but Eastwood’s own cinematic stature. Here he was transitioning away from expansive vistas and grizzled faces framed by cowboy hats and dripping with sweat towards his more “respectable” phase, the one in which Oscars rained down upon his films and he became the old guard of cinema. It is here that for all of the narrative revisionism on display, Eastwood’s penchant for “white elephant art” would trample all contenders in its path towards Academy glory. Yet it does somehow feel appropriate that the man who found fame on Rawhide, one of the standard-bearers of the white hat/black hat morality of the genre, would” read more
"2008: 615 2007: 597 2006: 590 2005: 455 2004: 374 2003: 385 2002: 354 2001: 406 2000: 408 1999: 380 "
"2007: 597 2006: 590 2005: OUT 2004: 374 2003: 385 2002: 354 2001: 406 2000: 408 1999: 380 "