The Breaking Point (1950)
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"A central crime usually lends a noir its purpose, suggesting that the hero’s life is leading to one pivotal moment, inevitably glorifying his senses of destiny and self-pity. The Breaking Point’s stop-and-start structure casually detonates that sort of grandeur, affirming Harry Morgan’s (John Garfield) escalating sense of futility. Of course, Harry treads the same nowhere road over and over, hoping it will miraculously lead him away from his static life, eventually allowing himself to be d"
“Good late noir. A lot less sophisticated than "To have and have not" but it has the Hemingway sea touch. Garfield is always convincing, as a good man in love with his Thaxter wife. It semms that infidelity is worse than homicide. The last image of the little afro boy is rare and devastating.” read more