No Country for Old Men update feed
“the movie lefted me headache, so I don't think it is good, no inspiration, no overwheming, cold blooded , I feel no good to see this film,not recomme”
“the movie lefted me headache, so I don't think it is good, no inspiration, no overwheming, cold blooded , I feel no good to see this film,not recommended, oscar Best Picture??? I'm so disappointed. , this is not what I want from "Art" art must inspires you and made you feel something, although it represents violent, " No Country for Old Men" = "No Space for feeling"
I give it 6/10 for good cinematography , great style and actor's performance, but it is not the film worth watching.” read more
""'No Country for Old Men,'... is bleak, scary and relentlessly violent. At its center is a figure of evil so calm, so extreme, so implacable that to hear his voice is to feel the temperature in the theater drop." - A.O. Scott"
" The Coens minimized the score used in the film, leaving large sections devoid of music. The concept was Ethan's, who persuaded a skeptical Joel to go with the idea. Carter Burwell's score consists of only 16 minutes of music, with several of those in the end credits. Score music is used quite sparsely throughout the film, blending elusively into the background. Some can be heard during Bell's opening narration, during Chigurh's quarter speech, whe"
"Fate's a bitch. On the other hand, a bitch would be preferable to a compressed-air-cannister-carrying Spaniard with a bad combover."
" Points: 21 Chosen by: Warmaster (2), The Cinephile (6), Dark Shadows (7), Cypher (6) Previous rank: it wasn't selected IMDB top 250 rank: 172"
"FROM PAGE TO SCREEN Tommy Lee Jones Tommy Lee Jones. The Coen Brothers. Cormac McCarthy. Such a combination of talents seems so natural, so obvious even, that it is downright astonishing that it took as long as it did to finally happen. No Country For Old Men works on many levels—as a chase thriller, a criminal procedural, a cross pollination of latter day Western and neo-noir, a muted apocalyptic tone poem, even a sadistic absurdist comedy if you squint hard enough at it—but high among its "
" Directed by: Joel Coen and Ethan Coen Produced by: Joel Coen, Ethan Coen, Scott Rudin, Mark Roybal, Robert Graf, David Diliberto, and Karen Ruth Getchell Written by: Ethan Coen and Joel Coen Based on the novel by: Cormac McCartney Cinematography: Roger Deakins Edited by: Joel Coen and Ethan Coen Music by: Carter Burwell Distributed by: Paramount Vantage and Miramax Entertainment "