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A good movie

Posted : 8 years, 4 months ago on 7 December 2015 04:23

To be honest, it has been a while since I have seen this flick and maybe I should check it out again at some point. In fact, I remember it quite well the first time I watched it. Indeed, I kept hearing some really good things about this flick so I was really eager to check it out and I had some rather high expectations about the damned thing. Well, eventually, even though I though it was indeed pretty good, I can’t say I was really blown away and, to be honest, I thought it was actually slightly underwhelming. Basically, while watching this, sure, I thought it was well made and fairly entertaining but I couldn’t help thinking that it was rather outdated. I mean, sure, when it was first released 40 years ago, it must have been terribly shocking for the mainstream audience but, after all these years, we have been used to see some much more violence, both physical and psychological, so the whole thing didn’t have much impact on me. Anyway, to conclude, even though I didn’t really connect with this flick, it is pretty good and it is definitely worth a look, especially if you like the genre.



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Deliverance review

Posted : 11 years, 4 months ago on 10 December 2012 10:38

The story is insanely simple: 4 men call it a weekend and go down Cahulawassee River to witness the beauty that is soon to be eradicated for themselves. It has the typical; An overly enthusiastic, 50/50 poetic guy, one 'normal' guy, one a pessimistic, mild guy and one who never shuts up, the vocal of the group - the comic relief, in short. If this were an action film then each of these guys would've stood out like a sore thumb and would've been overly stereotyped. Had it been comedy, their weaknesses would've been the butt of the joke and the seriousness a target of mockery. No matter what genre, these guys would've been "been there, done that". But since this is a thriller film and since it pits normal guys against extraordinary, and unpredictable, - otherwise realistic - situations and corners, each character feels right at home. Every character is realistic and relatable, if not 100% likable, and one can relate themselves to at least one character, depending on their personalities. Not only did John Boorman throw the characters in the right background, but he also chose the right cast. A cast so greatly chosen that I find it difficult to replace them with someone else. Take a look at Ronny Cox and Ned Beatty, both in their debuts. Both of their characters indeed suffered the usual cliche - The most vocal gets raped and the nice guy gets killed - but since this film had the most appropriate background for them, the point hit home. These things happen in real life and the bullies - in this case, the mountain men - usually go for the weak ones first, who in this case were Bobby and Drew.

Story-wise, Deliverance is a strongly scripted film and as brutal and hard-hitting as its dangerous waters and rocky terrains. Some films drag you headfirst into the action. Some take you by the hand and take sweet time in doing it. Deliverance, however, puts a hand around your shoulder, points into the distance and says, "Do you see that, my friend?" Nothing hidden, nothing subtle, everything is right in front you. And by that I mean the opening Banjo Duels scene. It may seem a sweet moment but it actually underlines, and foreshadows, everything that is to follow, namely unpredictability. Anyway, this is a brutal flick that requires all of your nerves to watch it and you will be amazed by the realistic approach of it that you can swear the people die for real. I really wasn't expecting this film to blow me away, but by the time it ended, I was left polarized and, frankly speaking, very disturbed.

Performance-wise, all 4 of them - Ned Beatty, Ronny Cox, Jon Voight and Burt Reynolds - were great and convincing in their roles, even if the last two did take time to catch up to the speed. The best from the bunch, however, was Ned Beatty as Bobby, the guy who gets raped. Fat guys in films always get the worst deal and/or are the most hilarious of the heroes. Bobby, however, is as realistic as they come. I really enjoyed his performance and it gets better after every 5 minutes.

In conclusion, Deliverance is a solid film and seriously not for the weak-hearted. I can assure you that there are no jump-scares or ultra-violence but the rape scene is bound to give you nightmares for a-many days.

8.5/10


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BREE BREEEEEEE!

Posted : 13 years, 6 months ago on 19 October 2010 02:47

Me already NOT being a fan of the woods..this movie didn't help hahaha. I enjoyed the realistic-ness to the film. No music, actors did most of their stunts, shaky camera, non complex, yet realistic dialogue. It was well done in my opinion. Although I really didn't like the rape scene, of curse, who would, but it was disturbing and I had to fast foward, it was still a killer film. Burt Reynolds and Jon Voight were great characters and b.a. haha. A creepy, weird film to watch..beware...

7.7/10


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Brilliance!

Posted : 15 years, 5 months ago on 21 November 2008 02:48

"We killed a man, Drew. Shot him in the back. A mountain man. A cracker."


Based on James Dickey's best-selling 1970 novel, John Boorman's Deliverance is a fateful tour of rugged Georgia terrain which functions as a potent reminder that we can always be in the wrong place at the wrong time. Shot on a shoestring budget on location in northern Georgia, Boorman's most arresting picture is a straightforward tale told with passion, heart and urgency. Deliverance is a compelling, deeply disturbing film which hasn't lost its bite or thrill all these decades later. "He's got a real purty mouth, ain't he?" and "I bet you can squeal like a pig" are two quotes capable of sending shivers down a man's spine if they're familiar with this remarkable film. With its superb Oscar-nominated direction, enthralling cinematography, an evocative score and challenging adult themes; Deliverance is a taut, tense, hauntingly disconcerting thriller that remains one of the decade's most visceral adventures.

Four ordinary city slickers (or at least three since one fancies himself a steely outdoorsman) agree to take a camping/canoeing trip as they're intent on seeing the Cahulawassee River before it's turned into one huge lake. Ed (Voight), Lewis (Reynolds), Bobby (Beatty) and Drew (Cox) plan to indulge in a tranquil journey packed with male bonding and sheer exhilarating adventure. As the men navigate the wilderness they think they understand, disaster befalls their adventure and they descend into an unimaginable nightmare. Both nature and mankind conspire to propel them through a crucible of peril and degradation during which their lives and possibly even their souls are put in staggering danger.

At its most fundamental level, Deliverance is a tale of endurance and survival. But the film doesn't merely concern surviving the hazards of the wilderness or of human threats; it's about surviving one's own heart of darkness, about confronting one's basest needs and accepting or declining them. The relatively straightforward boating venture turns into a multifaceted story of existence, with each of the four buddies compelled to reach deep within themselves to unearth a new meaning for courage.

Deliverance is simultaneously a story of outer destitution and fortitude, and inner endurance and integrity. Furthermore, Boorman has the directorial audacity to pace the film at a more relaxed tempo as opposed to the breakneck speed of contemporary action films. By doing this, the director allots time to develop the characters and establish the conflicts. In this fashion Boorman amplifies the mood of apprehension and trepidation by permitting these elements to evolve naturally and logically. Make no mistake: the pacing is ponderous and careful. Shots are generally lengthy and wide. The film gently ensnares you in its gripping atmosphere as a result of the masterful storytelling. To some this approach may appear "boring" as their attention spans are limited. To me it's effective and subversive. If there's anything to criticise, it's the sporadic substance deficiency. Perhaps it does tend to drag on a smidgen, but there's no denying the power of this movie. The images and noises conveyed throughout the rape scene...are unforgettable.

"Goddamn, you play a mean banjo."


Most entertaining is the legendary "duelling banjos" sequence towards the beginning of the film. Incidentally, the famous tune isn't two banjos at all - but a banjo and a guitar (performed behind-the-scenes by Eric Weissberg and Steve Mandel). The director reportedly chose young Billy Redden as the banjo player due to his bizarre outward show, but the boy had never appeared in a movie beforehand and was unable play the banjo. To solve the problem, Boorman found another boy capable of playing the instrument. For filming, the boy was hidden behind Redden with just his arm and hand visible for the banjo fingering. How novel.

Luckily, Deliverance is far more than duelling banjos and...well, squealin' like a pig. Immediately it's possible to identify with the characters as the screenwriter (Dickey, who wrote the original novel, acted as the screenwriter here) bestows them with three-dimensional qualities. Each possesses different ideals, ambitions and moral codes. In the acting department, faults are scarce. Deliverance offers harrowing, natural performances that anchor the occasionally over-the-top story with logic and believability.

Burt Reynolds' tough-guy persona (established at the beginning of the film) is soon reduced to a shell of himself; crying and complaining following a bitter injury at some point throughout the journey. Before defiling his CV with tosh such as 2008's woeful In the Name of the King: A Dungeon Siege Tale, Reynolds was a gifted actor and his talent is omnipresent during every scene in which he features.
Jon Voight as Ed provides a reluctant yet poised centre, virtually becoming the group's leader towards the film's conclusion. Ed is a well-written character who's stunningly realised by Voight, and he's a man most of us can sympathise with.
Ned Beatty and Ronny Cox made their film debuts here. Cox provides the team's moral core, bringing his love for music and a sturdy conscience even in critical circumstances. Beatty plays the unlucky victim during the film's most chilling and heartbreaking sequence, emphasising the group's doggedness through innocence lost. Since not all return from the expedition (none return completely intact, for that matter), the tragic proceedings are far more affecting when told in such a linear manner. All the actors performed their own stunts to conserve costs (Voight even had to climb the rock formation without any safety measures!) and had no form of health insurance.

Deliverance remains a gripping tale of morality and mortality, as effective and brawny now as it was when it first debuted decades ago. You'll seldom find an adventure film with as many thoughtful subtexts as Deliverance. It is an unflinching and absorbing examination of mankind's dark disposition and violent propensities in the face of danger. It laudably paints a picture depicting the protagonists as antagonists. Brutal and unwavering, Deliverance doesn't pull any punches in its depiction of a fairly shocking story. Author James Dickey's imagination spawned this disturbing tale of violation, murder and endurance, but the visualisation by director Boorman and co raises the stakes even higher. The film surges with masterful storytelling, and draws in a viewer with the indomitable force of a raging current. It's simply a haunting, nightmarish vision and a landmark piece of classic filmmaking.

Nominated for three Oscars: Best Picture (lost to The Godfather), Best Editing for Tom Priestley (lost to David Bretherton for Cabaret) and Best Directing for John Boorman (lost to Bob Fosse for Cabaret).

"Sometimes you have to lose yourself 'fore you can find anything."


8.9/10



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