After.Life (2009) (2010)

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It is another DVD I had for more than a year on my shelves and I'm glad I finally watched it. The fact that two of my favorites Listal members actually advised me not to watch it probably influenced me pushing it indefinitely but since Christina Ricci and Liam Neeson were involved, I still wanted to check it out. Well, it was indeed not really good I'm afraid. The point is that there was definitel... read more

Description: After a horrific car accident, Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna’s grief—stricken boyfriend Pau After a horrific car accident, Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna’s grief—stricken boyfriend Paul (Justin Long) still can’t shake the nagging suspicion that Eliot isn’t what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over the other side. With an unrelenting edge of menace, After.life is a stylish psychological thriller which provocatively questions the line between life and death. ... (more) (less)