25 quotes to help you steal like an artist

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent.”

“It’s not where you take things from—it’s where you take them to.”

“Really the truth is just a plain picture. A plain picture of, let’s say, a tramp vomiting in the sewere. You know, and next door to the picture Mr. Rockefeller or Mr. C. W. Jones on the subway going to work. You know, any kind of picture. Just make a collage of pictures.”

"A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest.”

“Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.”

“All writing is in fact cut-ups. A collage of words read heard overheard. What else?”

“I love art, I love being thrilled by art, and I love folding these thrills into my own practice. I love stealing….I absolutely believe my best work lies ahead of me, and lies in the work I’m absolutely on fire to steal from.”

“The beauty of the collage technique is that you’re using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they’re a bit shy, clumsy, staring at their shoes. But you can sense there’s something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.”

“If you think a man draws the type of hands that you want to draw, steal ‘em. Take those hands.”

“Some one may say of me, that I have here only made a nosegay of other men’s flowers, having furnished nothing of my own but the thread to tie them.”

“If you steal from one author, it’s plagiarism; if you steal from many, it’s research.”

“Our souls as well as our bodies are composed of individual elements which were all already present in the ranks of our ancestors. The “newness” in the individual psyche is an endlessly varied recombination of age-old components.”

“Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master. That is to say, most artists are converted to art by art itself. Finding one’s voice isn’t just an emptying and purifying oneself of the words of others but an adopting and embracing of filiations, communities, and discourses. Inspiration could be called inhaling the memory of an act never experienced. Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos.”

“To spark my creativity…I often re-use pieces from my other works…basically collaging my own stuff…”

“You can’t steal a gift. Bird [Charlie Parker] gave the world his music, and if you can hear it you can have it.”

“I wanted to hear music that had not yet happened, by putting together things that suggested a new thing which did not yet exist.”

“Sometimes I think everything I draw is just a combination of all of the millions and millions of drawings I’ve seen.”

“If you have one person you’re influenced by, everyone will say you’re the next whoever. But if you rip off a hundred people, everyone will say you’re so original!”

“The choices a writer makes within a tradition – preferring Milton to Moliere, caring for Barth over Barthelme – constitute some of the most personal information we can have about him.”

“I was…attacked for being a pasticheur, chided for composing “simple” music, blamed for deserting “modernism,” accused of renouncing my “true Russian heritage.” People who had never heard of, or cared about, the originals cried “sacrilege”: “The classics are ours. Leave the classics alone.” To them all my answer was and is the same: You “respect,” but I love.”

"My hobbie (one of them anyway)…is using a lot of scotch tape… My hobbie is to pick out different things during what I read and piece them together and make a little story of my own.”

“If an artist may say nothing except what he has invented by his own sole efforts, it stands to reason he will be poor in ideas. If he could take what he wants wherever he could find it, as Euripides and Dante and Michelangelo and Shakespeare and Bach were free, his larder would always be full, and his cookery might be worth tasting.

“Every idea is a juxtaposition. That’s it. A juxtaposition of existing concepts.”

“In the grand collage that is Dada, past and future are equally usable.”

“I’m being given a little bit of credit now as being a viable collage artist, which some people think is ridiculous. Like this guy who said, “Wait a minute: You had an art show where you just cut out pictures and then glued them back together?” And I said, “Yeah, that’s pretty much what it is.” There’s more to it than that. It’s about having the eye for detail, moving things from one environment and reassembling them into new environments….Everyone can do it, but not everyone can do it well.”