Essex Boys constructs a fictional story around the infamous Range Rover murders in Rettenden, Essex, in which three local drug dealers were found blasted to death by shotguns. Driving for ex-con Jason Locke (Sean Bean) was just another job for Billy Reynolds (Charlie Creed-Miles). But fresh out of a five-year stretch, Locke is looking to make up for lost time and begins a turf war. He stalks his manor with a menacing leer and a bottle of acid to throw in the face of anyone who gets in his way, and is given to Locke and his drug-dealing gang rely on brute strength to enforce their will, but when they decide to expand their game they underestimate the wiles of Billy's boss, countrified crime gent John Dyke. Southend's sunset strip of neon-fronted clubs and arcades, but fails to lift the plot of his film out of the Brit-gangster ghetto. That said, Winsor laudably plays it straight, avoiding the style over substance affectations of the genre, while coaxing believable performances out of his cast. --Chris CampionOn the DVD: the anamorphic 1.85:1 widescreen transfer is good with little obvious grain and an above average level of detail. But it is the soundtrack that's really the star of this DVD. The intensity of the film and the relentless action from the outset (where you are thrust into the middle of a crowded nightclub) is really upped by the brilliant Dolby Digital 5.1 audio mix, resulting in the viewer feeling every gunshot. It's a good job that the soundtrack is so spectacular, since there are no special features except the usual suspects, the original theatrical trailer and scene access. --Kristen BowditchEssex Boys constructs a fictional story around the infamous Range Rover murders in Rettenden, Essex, in which three local drug dealers were found blasted to death by shotguns. Driving for ex-con Jason Locke (Sean Bean) was just another job for Billy Reynolds (Charlie Creed-Miles). But fresh out of a five-year stretch, Locke is looking to make up for lost time and begins a turf war. He stalks his manor with a menacing leer and a bottle of acid to throw in the face of anyone who gets in his way, and is given to humiliating publicly his long-suffering wife Lisa (Alex Kingston). Locke and his drug-dealing gang rely on brute strength to enforce their will, but when they decide to expand their game they underestimate the wiles of Billy's boss, countrified crime gent John Dyke. Director Terry Winsor makes good use of locations, especially Southend's sunset strip of neon-fronted clubs and arcades, but fails to lift the plot of his film out of the Brit-gangster ghetto. That said, Winsor laudably plays it straight, avoiding the style over substance affectations of the genre, while coaxing believable performances out of his cast. --Chris Campion