You know, it seems like writer/director/star Philipp Karner is working through some deeply personal stuff throughout Like You Mean It. Shame he didn’t invite the audience along for his personal journey and mea culpa. Like You Mean It is glacial and opaque, much like its main character, and we’re stranded looking for a reason to care about so selfish a person or insight to expand our view of him. No such luck. We end the movie just as confused about Karner’s character as when we started, and praying that Denver Milord’s nice, solid guy gets as far away from him as possible. It must be said that Karner and Milord deliver naturalistic performances that feel lived in and authentic. The type that frequently elevates the thin material, but there’s so long you can watch a beautiful self-destructive egotist before it becomes tiresome. There’s plenty of craft and potential on display here, just no scope beyond the main character’s solipsism.