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Review of Odds Against Tomorrow (1959)

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Wise at his most happily pretentious. Jazz is perfect for the atmosphere (Belafonte performs a nice calypso-blues). Good timing, tension, the escape to the newyork hinterland, good false plantings (Ryan playing with the little afro girl before we know his racism), Belafonte tender touches. Shellye and Gloria Grahame, good beaten noir femmes.
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Added by fernando
1 year ago on 20 July 2016 00:16




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