The Man Who Left His Will on Film (1970) #2 |
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Description
embodied by the highly ideological - but also perpetually idle and ineffective - film collective whose engagement in the social revolution is limited to trite, reductive regurgitations of Marxist one-liners, distanced (and botched) film documentation of an uprising (note that a member subsequently rationalizes that being in a demonstration does not necessarily mean that one is part of it), and principled acts of subversion through group authored formal protests (for the police seizure of ... |
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