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Nik Cohn
The Who-Pinball wizard |
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Description
and familiarity The song was introduced into Tommy as an afterthought[citation needed]. In late 1968 or early 1969, when The Who played a rough assembly of their new album to critic Nik Cohn, Cohn gave a lukewarm reaction. Following this, Townshend, as Tommy's principal composer, discussed the album with Cohn and concluded that, to lighten the load of the rock opera's heavy spiritual overtones (Townshend had recently become deeply interested in the teachings of Meher Baba), the title ... |
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