StatsBirth Name: Mary Rose Byrne Age: 33, born 24 July 1979 Country of origin: Australia Currently Residing In: United Kingdom Height: 5' 6" Ethnicity: White / Caucasian Relationship Status: Single
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About:
Rose was born in Sydney, Australia. She landed her first role in a movie, Dallas Doll (1994), when she was 15 years old.Since then, Rose has appeared in a variety of Australian televisions shows including "Heartbreak High" (1994), "Echo Point" (1995), and the film Two Hands (1999) alongside Heath Ledger. After this, she appeared in various movies like The Date (1999), My Mother Frank (2000), and Clara Law's The Goddess of 1967 (2000) for which she obtained the Female Volpi Cu
Rose was born in Sydney, Australia. She landed her first role in a movie, Dallas Doll (1994), when she was 15 years old.Since then, Rose has appeared in a variety of Australian televisions shows including "Heartbreak High" (1994), "Echo Point" (1995), and the film Two Hands (1999) alongside Heath Ledger. After this, she appeared in various movies like The Date (1999), My Mother Frank (2000), and Clara Law's The Goddess of 1967 (2000) for which she obtained the Female Volpi Cup at the Venice Festival in 2000.Her first experience on a big-budget movie came when she played handmaiden, Dormé, to Natalie Portman, Padmé Amidala, in Star Wars: Episode II - Attack of the Clones (2002). In 2003, she starred, coincidentally, as Rose Mortmain in the adaptation of Dodie Smith's I Capture the Castle (2003). In 2004, she acted in Wicker Park (2004) with Diane Kruger and Josh Hartnett. Here, she heard Wolfgang Petersen was looking for an actress for Briseis in his next movie Troy (2004) with Brad Pitt, she got the part and was recognised as one of the most promising actresses in Hollywood.
She and her Marie Antoinette (2006) director, Sofia Coppola, have both played handmaidens in the Star Wars prequels. Sofia Coppola appeared in Episode I, Byrne in Episode II.
'I think all this insecurity is partly because as an actor you are told when you can practice your craft. The majority of actors - unless you start your own theatre company - are at the beck and call of other people. They're told when they can do their art, whereas painters can paint, writers can write, musicians can play. But actors are always the subject of other people's scrutiny and opinion. I think it breeds more insecurity the more you work because you get rejected on a daily basis, purely for who you are, and not just on a physical basis but also for your personality or origin. My heart breaks every time I don't get a part.'
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