We Started Nothing - The Ting Tings

7.5	Listal rating

Manufacturer : Phantom Sound & Vision
Release date : 10 June 2008
EAN : 0886973133422
UPC : 886973133422

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Description

Album DescriptionWe Started Nothing is the debut album from The Ting Tings. Tipped in the top three of the BBC's Sound of 2008 poll at the beginning of the year, seemingly they have much to prove. However, The Ting Tings aren't about proving themselves; they are simply here to enjoy it. Making great British pop music - their way - is wha Album Description
We Started Nothing is the debut album from The Ting Tings. Tipped in the top three of the BBC's Sound of 2008 poll at the beginning of the year, seemingly they have much to prove. However, The Ting Tings aren't about proving themselves; they are simply here to enjoy it. Making great British pop music - their way - is what they're about.

Born of a desire to employ the DIY ethic from day one - Katie White and Jules De Martino escaped the industry trappings they once experienced in a previous band and went back to basics as a duo. They stripped back everything they thought they both knew about making music and the industry that revolved around every note.

We Started Nothing is a debut album brimming with intuitive pop noise. It's pure garage-pop and once heard will in-bed itself into your subconscious for many days, weeks, months to come. Snappy choruses trade off against angular gutar work, whip smart drumming and a succession of loops that they create live with the use of delay pedals.

Amazon.co.uk
The debut album by Salford's The Ting Tings comes hot on the heels of their No.1 single "That's Not My Name", a nugget of pop gold that comes on like a genetic splicing of Toni Basil's "Micky" and The Knack's "My Sharona". The bulk of We Started Nothing follows a similar formula, navigating a path between the smart, angular indie of CSS, Bonde Do Role, et al and the pop mainstream. Here and there, they pull it off perfectly: the stutter-rap of "Fruit Machine" sees vocalist Katie White leading on some poor sap with sultry charisma and lip-gloss sass, while the excellent "Shut Up and Let Me Go" is snappy dance-punk in the spirit of Blondie's "Rapture" or Tom Tom Club's "Genius of Love". Elsewhere, they branch out with mixed results. "We Walk" builds from quiet flourishes of piano into a surprisingly steely manifesto: "Smash the rest up/Burn it down/Put us in the corner cause we're into ideas", sneers White. Rather less good is "Traffic Light", a light, jazzy number that employs a number of somewhat forced driving metaphors to describe a relationship hit the skids. Still, it's a debut with promise, and a string of good singles is nothing to be sniffed at. -–Louis Pattison

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