The Hot Rock - Sleater-Kinney

8.2	Listal rating

Manufacturer : Kill Rock Stars
Release date : 23 February 1999
EAN : 0759656032124
UPC : 759656032124

Sleater-Kinney (1), Riot Grrl (1)

Description

Album DescriptionAs on their previous records, the Pacific Northwest trio brings a trembling, breathtaking fury to songs about love's life-and-death struggles and the search for genuine emotion in a jungle of media-made hype. A Kill Rock Stars Records release.Amazon.com's Best of 1999Everyone knew that Sleater-Kinney Album Description
As on their previous records, the Pacific Northwest trio brings a trembling, breathtaking fury to songs about love's life-and-death struggles and the search for genuine emotion in a jungle of media-made hype. A Kill Rock Stars Records release.

Amazon.com's Best of 1999
Everyone knew that Sleater-Kinney were capable of creating some intense (and infectious) blasts of punk and pop, but in 1999 they finally got the production treatment they deserved. The Hot Rock, a sometimes furious--but always catchy--disc of pop-punk, is one of the Northwest trio's best. --Jason Verlinde

It's a general rule in the music industry that the faster you rise to stardom, the faster you slide into oblivion. In the terrifyingly fickle world of rock criticism, the high acclaim that met Sleater-Kinney's first two albums would indicate that only simple neglect was due to them upon the release of The Hot Rock. But the women of Sleater-Kinney continue to defy the norms of rock & roll with an album of such distinctive graces that it approaches the status of classic. In each of the album's 13 tracks, the band's development from fierce grrrls to musical icons rings out loud and clear. The guitar work of Carrie Brownstein has never been more provocative and exact, summoning up the wiry deftness of Television's Tom Verlaine. Her "Burn, Don't Freeze" has a dry, discordant guitar line that weaves itself between the dueling vocals of both singers. The signature scorch of Corin Tucker's singing now modulates between the soft calls of the slow dance "A Quarter to Three" and the nuclear blast of the antitechnology "God Is a Number." The larger-than-life "The End of You" showcases the finest work from Brownstein, Tucker, and drummer Janet Weiss. As befitting its nautical themes, the song is oceanic and mercurial, gliding through its movements with all the drama of the mutiny it describes. The Hot Rock is exactly like the diamond of the title--hard, beautiful, and full of mysterious allure. --Lois Maffeo

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