The B-52’s self-titled debut is one strange and colorful record, which should be fairly obvious by the Warhol-ish early-60s cover design and color palette. I imagine at the time songs about made-up dances and boogie dancing undersea life were very confusing, especially since exceedingly long, extremely pretentious rockers were hogging all of the airwaves. In fact, even given a New Wave contextâ€... read more
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This record shook up the snoozing world of rock in 1979, becoming a truly classic disc, one full of landmark moments and heavy with possibilities. Most "real" rockers in the late '70s tried hard to ignore the Sex Pistols and the Clash, claiming the punk tumult was a merely a fad; but fun-loving types couldn't resiT
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This record shook up the snoozing world of rock in 1979, becoming a truly classic disc, one full of landmark moments and heavy with possibilities. Most "real" rockers in the late '70s tried hard to ignore the Sex Pistols and the Clash, claiming the punk tumult was a merely a fad; but fun-loving types couldn't resist the magnificent hooks and grooves of the B-52's debut. They fell into the "new wave" while dancing their tushes off. The magnificent "Rock Lobster" remains unmatched in terms of its relentless, spastic power to move one's feet; ditto "52 Girls," with its nod to '60s trash rock. A Cramps-ish guitar grinds through "Lava," which features his-and-hers innuendo-laden lyrics. "I'm not no limburger!" goes one line from "Dance This Mess Around," but you just never question why. Brilliant. --Lorry Fleming
""The debut by the B-52's sounds like a bunch of high school friends cramming all their running jokes, goofy sounds and private nicknames into a New Wave record. "We never thought it would get past our circle of friends in Athens ," vocalist Fred Schneider told Rolling Stone. It turned out that nobody could resist the band's campy, arty funk, or the eccentric squeals and bouffant hairdos of Kate Pierson and Cindy Wilson. (Playing organ, Pierson also defined the band's sound.) They played toy inst"
“The B-52’s self-titled debut is one strange and colorful record, which should be fairly obvious by the Warhol-ish early-60s cover design and color palette. I imagine at the time songs about made-up dances and boogie dancing undersea life were very confusing, especially since exceedingly long, extremely pretentious rockers were hogging all of the airwaves. In fact, even given a New Wave context…these songs are still weird. Yes, the New Wave was all about merging dance, punk, and making a fashionable statement all at the same time, but none of them came out swinging with 50s sci-fi obsessions, b-movie story lines, and kewpie doll vocals. And a lot of the New Wavers were ironists. Blondie, ever the ironists, wanted to combine a punk aesthetic with 60s pop. But they could also perform a st” read more