Description
The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena; somewhere Billy Jack should be in one envious, ass-kickin' mood. Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's
The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena; somewhere Billy Jack should be in one envious, ass-kickin' mood. Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's roots and allows Lucas to flesh out the history of some of the fable's core characters and conjure up a dazzling new cast of cohorts, antagonists, and alien realms for them to interact with and in. Thus, all composer John Williams had to do was essentially reinvent the world's most popular wheel. The film-scoring legend has admirably risen to that daunting challenge, delivering an inventive score whose dynamics should surprise and delight even the most ardent SW fanatic. The Main Title and a few oh-so-sparing bars of a familiar Jedi theme are all that remains from the original trilogy's lexicon, Williams having evolved the saga's musical language, stylistic reach, and orchestral palette with masterful subtlety. The composer's most ambitious surprise is the welcome addition of strong choral elements, which he uses in ways both majestic ("Duel of the Fates") and menacing ("Passage Through the Planet's Core"). And though the film revolves around a young boy (Anakin Skywalker, who will grow to be both corrupted and redeemed as Darth Vader), the only flirtation with cloying sentimentality comes with the innocently loping "Jar Jar's Introduction." In the tradition of the Cantina and Max Rebo's Band of the previous trilogy, Williams and Lucas close out this musical installment with "Augie's Municipal Band," a Carnivale-esque romp that segues grandly into the composer's swelling title music. Williams may be the master of a grand scoring tradition, but Phantom Menace is gratifying evidence that he seldom plays it safe--even when the Force is with him. --Jerry McCulley
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Track listing1. Star Wars Main Title/The Arrival at Naboo
2. Duel of the Fates
3. Anakin's Theme
4. Jar Jar's Introduction/The Swim to Otoh Gunga
5. Sixth Spacecraft/The Droid Battle
6. Trip to the Naboo Temple (The Audience With Boss Nass)
7. Arrival at Tatooine/The Flag Parade
8. He Is the Chosen One
9. Anakin Defeats Sebulba
10. Passage Through the Planet Core
11. Watto's Deal/Kids at Play
12. Panaka and the Queen's Protectors
13. Queen Amidala/The Naboo Palace
14. Droid Invasion (The Appearance of Darth Maul)
15. Qui-Gon's Noble End
16. High Council Meeting/Qui-Gon's Funeral
17. Augie's Great Municipal Band/End Credits
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2 votes
Soundtrack
(89 items) by WyrmSlayer
Last updated 3 years, 2 months ago
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Ratings of Star Wars Episode I: The Phantom Menace
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Review
Rating : 8/10