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More potpourri than unified high concept, the fourth installment in the Pure Moods series nevertheless provides an interesting collage of acts associated with techno, ambient, alt-pop, and New Age genres. For some listeners, that means the transition from the rhythmic mystical-ethereal vibe of the f
More potpourri than unified high concept, the fourth installment in the Pure Moods series nevertheless provides an interesting collage of acts associated with techno, ambient, alt-pop, and New Age genres. For some listeners, that means the transition from the rhythmic mystical-ethereal vibe of the first four tracks (from Enigma, Mythos, Delerium, and Sarah McLachlan and a splendid piece from Balligomingo) to a trilogy from New Age romanticists ( Secret Garden, Yanni, and pianist Jim Brickman) may seem a little disjointed. Ditto for the segue from George Winston's impressionistic 1980 solo piano piece, "Sea," to a Steve Reich-like minisymphony from Moby). And the concluding Afro-Celt Sound System track, a spirited, mandolin-driven piece with Peter Gabriel on vocals, is a stylistic island unto itself. Still, most fans of easy-listening contemporary music (particularly the adventurous ones) should find this an agreeable assortment of music from artists who infuse their craft with stronger-than-usual spiritual and emotional subtexts. --Terry Wood (Review copyright Amazon.co.uk)
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