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Named in homage to Buddy Holly's greatest rocker, Denmark's Raveonettes have forged small, satisfying changes on twangy garage pop over three records. (Think somewhere between Chris Isaak and the Jesus and Mary Chain.) Sune Rose Wagner and Sharin Foo's second full-length, Pretty in Black, makes the duo's influences even more explicit than be
Named in homage to Buddy Holly's greatest rocker, Denmark's Raveonettes have forged small, satisfying changes on twangy garage pop over three records. (Think somewhere between Chris Isaak and the Jesus and Mary Chain.) Sune Rose Wagner and Sharin Foo's second full-length, Pretty in Black, makes the duo's influences even more explicit than before with a cover of the Angels'girl-group monster "My Boyfriend's Back" (co-written by Raveonettes co-producer Richard Gottehrer) and "Here Comes Mary," a ballad that walks almost as closely in the melodic steps of the Everly Brothers "All I Have to Do is Dream" as "Surfin' U.S.A." did those of "Sweet Little Sixteen." But it's the new tricks they unpack--the shimmy of "Love in a Trashcan," the disco stomp of "Twilight"--that make this their own music. --Rickey Wright
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