Nearly twenty years had passed between The Hunter and No Exit, but you wouldn’t know it by Debbie Harry’s icy downtown croon. Her voice and persona haven’t gained a pound or aged a day since the almost-smile of “Sunday Girl” or the robotic vamp of “Call Me.”
Unfortunately the album is all peaks and valleys depending on the sonic experiments. The country twang of “Th... read more
Description:"Blondie is a group," the late '70s ads for this most successful of American new wave bands once proclaimed. Unfortunately, the long-anticipated reunion album--featuring original members Deborah Harry, Chris Stein, Jimmy Destri, and Clem Burke--sounds more like disjointed stabs at various styles than it does the work of a co"Blondie is a group," the late '70s ads for this most successful of American new wave bands once proclaimed. Unfortunately, the long-anticipated reunion album--featuring original members Deborah Harry, Chris Stein, Jimmy Destri, and Clem Burke--sounds more like disjointed stabs at various styles than it does the work of a cohesive musical unit. "Screaming Skin" has that same cheesy Farfisa organ Blondie used for their hit cover of "The Tide Is High," but you keep waiting for the hook-laden pop melody. Ditto on "Forgive and Forget," which features that old disco beat but without the magic of "Heart of Glass." Elsewhere, they experiment with rap (the title track, featuring guest star Coolio), lounge jazz ("Boom Boom in the Zoom Zoom Room"), and even country ("The Dream's Lost on Me"). But only "Maria" (a garage-pop gem complete with an "I Think We're Alone Now" riff) and a groovy cover of the Shangri-Las' "Out in the Streets" would've felt at home on Parallel Lines, this group's masterpiece. Drummer Burke proves to be the real "star" here, conquering each of the styles and giving the closing track, "Dig Up the Conjo," its psychedelic Beatlesque "Tomorrow Never Knows" feel. --Bill Holdship... (more)(less)
Manufacturer : Beyond Records Release date : 23 February 1999 EAN: 0639857800329 UPC: 639857800329
“Nearly twenty years had passed between The Hunter and No Exit, but you wouldn’t know it by Debbie Harry’s icy downtown croon. Her voice and persona haven’t gained a pound or aged a day since the almost-smile of “Sunday Girl” or the robotic vamp of “Call Me.”
Unfortunately the album is all peaks and valleys depending on the sonic experiments. The country twang of “The Dream’s Lost on Me” works, but the rap-metal hybrid “No Exit” just falls flat, it sinks the flow of the album. And it’s only the fourth song. The album never quite recovers from that point onwards, but Blondie never really embarrass themselves either. It’s a solid return, and “Maria,” “Nothing Is Real But the Girl,” “Under the Gun” and “Screaming Skin” all sound like class” read more
zabdiel added this to a list 5 years, 10 months ago
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Blondie - Studio Albums