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Concocted for director Barbet Schroeder's dystopian hippie road flick, this album marks Floyd's first venture into film "scoring," a task they undertake with a verve that overshadows their lack of formal training in the field. With just a handful of cuts echoing the trippy, atmospheric space-rock that was so much a parN
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Concocted for director Barbet Schroeder's dystopian hippie road flick, this album marks Floyd's first venture into film "scoring," a task they undertake with a verve that overshadows their lack of formal training in the field. With just a handful of cuts echoing the trippy, atmospheric space-rock that was so much a part of their early career, there's a surprisingly familiar dedication to songcraft evident here, especially for a soundtrack. Roger Waters's acoustic ballads ("Cirrus Minor," "Crying Song," "Green is the Color"), dark and dirge-like, are familiar predecessors to music that would highlight Wish You Were Here and The Wall, while Dave Gilmour's slashing riffs on "The Nile Song" also foreshadow greatness to come. Moody and surprisingly eclectic, More has rightly earned its place as a Floyd cult fave. --Jerry McCulley
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