Description
At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has released an album that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressiv
At a time when the majority of those his age are drifting into retirement, 65-year-old Bob Dylan has released an album that ranks with the best in his storied, 44-album career. Like Time Out of Mind and Love and Theft before it, Modern Times is a rootsy, blues-soaked pool of the purest form of Americana--skipping the progressive bells or whistles for an understated backing by his touring band. Dylan's voice, which cracks, rasps and moans from the pop singer's pulpit, hasn't been this rich and emotive since 1976's Desire. And while his lyrics prolong his steadfast allusions to a higher power and his own immortality, they are not without the Dylan mirth, as when he sings of tracking pop queen Alicia Keys from Hell's Kitchen to Tennessee in "Thunder on the Mountain". This track, along with with "Someday Baby" and "Rollin' and Tumblin'" (for which Dylan misguidedly claims writing credit), is one of the record's fieriest numbers. Still, it's the Dylan that tells of a slave-loving owner ("Nettie Moore"), who brings New Orleans to the front burner ("The Levee's Gonna Break") and plays the part of an eloquent lounge singer ("Spirit on the Water," "When the Deal Goes Down" and "Beyond the Horizon") that makes Modern Times sound just like old times. --Scott Holter
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