Let It Bleed is the eighth album by English rock band The Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones.
Manufacturer : Decca Release date : 5 December 1969 Number of discs : 1 EAN: 0042288230328 UPC: 042288230328
"Day 28 - A song that changed your music taste in some way
Rolling Stones- Gimme Shelter
This was one of the major songs that helped broaden my taste in music."
"24. A song you want to pay at your funeral.
The Rolling Stones - Gimme Shelter
Your funeral song is never about a song you actually like from your own music collection, it's about trying to appease as many people in the congregation as possible. This might just about mix appeasement with appreciation from the dead man."
banielse added this to a list 1 year, 7 months ago
"Week 9:21.02.11 - 27.02.11
There is a discreet, often untapped corner of my brain that can only be stimulated by absolutely classic rock and roll songs. If a song is good enough, I'll hear it once and it will become an instant classic for me. Not many songs have ever had what it takes to appeal to this brain segment, but Gimme Shelter was probably the first to do so. I can listen to this song for days on end."
"Day 18 - A Song you Wish You Would Hear on the Radio: Monkey Man
More classic Rock & Roll on the radio, please. Monkey Man is one of my personal favourite from the Stones. If this, or any other great Stones song came on the radio, it would make my day. The same for Pink Floyd, The Beatles etc. Enough of the Lady Gagas out there."
propercio added this to a list 2 years, 4 months ago
""The record kicks off with the terrifying "Gimme Shelter," the song that came to symbolize not only the catastrophe of the Stones' free show at Altamont but the death of the utopian spirit of the 1960s. But the entire album, although a motley compound of country, blues and gospel fire, rattles and burns with apocalyptic cohesion: the sex-mad desperation of "Live With Me"; the murderous blues of "Midnight Rambler"; Keith Richards' lethal, biting guitar on "Monkey Man"; the epic moralism, with hon"