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Like Will Smith, Jennifer Lopez has entered the singing, dancing, acting, can-do-anything zone of the bona fide superstar and has developed an ego to match her talents. J.Lo, the follow-up to her multi-platinum 1999 debut On The 6, makes little attempt to tinker with the latino soul formula she patented back then, employing an army of
Like Will Smith, Jennifer Lopez has entered the singing, dancing, acting, can-do-anything zone of the bona fide superstar and has developed an ego to match her talents. J.Lo, the follow-up to her multi-platinum 1999 debut On The 6, makes little attempt to tinker with the latino soul formula she patented back then, employing an army of co-producers and writers (including partner Puffy) to assemble a slick, 15-track affair. If anything, her sound is safe, retro even, with some tracks looking back to the 1980s, particularly the Michael Jackson-influenced "I'm Real" and the funky, impressive "Play". Her Puerto Rican background comes to the fore on a handful of Spanish numbers, notably "Cariño", which samples Cuban percussionist Mongo Santamaria's "Sofrito" to impressive effect. It goes badly wrong on the "La Isla Bonita" sound-a-like, "Ain't It Funny", which merely serves to reinforce the impression that Lopez is happy to settle for being the latino Madonna. --Mike Pattenden
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