Description
Album DescriptionCOLLECTOR'S EDITION (LIMITED): In addition the the full CD, the COLLECTOR'S EDITION includes a DVD with Making of the Album footage, B Roll in studio, and Acoustic performances of 4 songs. In addition to the CD & DVD, the COLLECTOR'S EDITION features a full color hardback book. The book includes extracts from band membe
Album Description
COLLECTOR'S EDITION (LIMITED): In addition the the full CD, the COLLECTOR'S EDITION includes a DVD with Making of the Album footage, B Roll in studio, and Acoustic performances of 4 songs. In addition to the CD & DVD, the COLLECTOR'S EDITION features a full color hardback book. The book includes extracts from band members note books, original paintings, illustrations and photography along with quotes and statistics.
The album that carries U2 into its 25th year--and likely the mixed blessings of the Rock and Roll Hall of Fame--is one of its most frank and focused since the days of October and War. But its gestation was anything but simple, in part salvaged from '03 sessions the band deemed subpar. Enter Steve Lillywhite, the band's original producer and sometime collaborator in the decades since, who helped retool the track "Native Son" (originally an anti-gun screed) into the aggressive i-Pod anthem "Vertigo" and leaves his distinctive stamp on the muscular "All Because of You" and others. Perhaps weary of ceaseless, fashion-driven reinvention in the wake of monumental success, U2 seem only too happy here to re-embrace their original sonic trademarks in service of more daring, pop-melodic hooks than they've collected in one place in decades. The Eno/Lanois produced "Love and Peace or Else" may shimmer with the duo's electro-production conceits, but it's Edge's lugubrious, post-modern John Lee Hooker guitar swagger that drives it. Elsewhere, Bono's trademark dramaturgy is spotlighted on "City of Blinding Lights," the unabashed romance of "A Man and a Woman" and the confessional "Sometimes You Can't Make It On Your Own." It may come wrapped in a conundrum--is it nostalgic retrenchment or sum of the band's endless musical catharsis?--but it's also the album where, Fly and MacPhisto be damned, U2 boldly claims its arena titan mantle with apologies to no one. --Jerry McCulley
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