Description:In 1973, fed up with Bryan Ferry's domineering in Roxy Music, Eno leapt into a solo career that would find him championing the "art" in "artifice." This record is a who's who of the then-burgeoning English art-rock scene, featuring Robert Wyatt, Robert Fripp, and every member of Roxy Music except its leader (thus aIn 1973, fed up with Bryan Ferry's domineering in Roxy Music, Eno leapt into a solo career that would find him championing the "art" in "artifice." This record is a who's who of the then-burgeoning English art-rock scene, featuring Robert Wyatt, Robert Fripp, and every member of Roxy Music except its leader (thus answering the musical question, "What if Eno had helmed the third Roxy record instead of Ferry?"). Warm Jets sports a lightheartedness that was a refreshing antidote to the pomposity of Yes and ELP on the dark side of art-rock's spectrum, with nonsensical, sound-based couplets such as "Oh headless chicken / How can those teeth stand so much kicking?" This debut is a milestone not just for Eno, but for all rocking music. Listen to Fripp's furious guitars on "Baby's On Fire" and "Blank Frank." It's incredible, Velvet Underground-inspired rock in a scene that had forgotten what rocking meant. --Gene Booth... (more)(less)
Manufacturer : Island Release date : 1 January 1973 EAN: 0017046151023 UPC: 017046151023
"19th February
After leaving Roxy Music over not having enough of a say in song compositions, Brian Eno embarked on a career that would truly distinguish him. His work on the early Roxy Music albums was essential to building their sound. However, becoming a solo artist was a career move that paid off and started him on a journey that would lead to him becoming the most famous ambient musician. Collaborating with his old band mates (except Bryan Ferry) and King Crimson guitarist Robert Fripp et a"
""The former Roxy Music keyboardist's first solo album pioneered a new kind of glammy art rock: jagged, free-form and dreamy. "Baby's on Fire" and "Needle in the Camel's Eye" are vicious rockers with detached vocals, and Robert Fripp's warped guitars swarm and stutter.""