1. Prologue
2. The Arrival of Baby Harry
3. Visit to the Zoo and Letters from Hogwarts
4. Diagon Alley and The Gringotts Vault
5. Platform Nine-and-Three-Quarters and The Journey to Hogwarts
6. Entry into the Great Hall and The Banquet
7. Mr. Longbottom Flies
8. Hogwarts Forever! and The Moving Stairs
9. The Norwegian Ridgebac... read more
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Amazon.com's Best of 2001
You needn't see the film of Harry Potter and the Sorcerer's Stone to appreciate the wonder, magic, and fearful chills of J.K. Rowling's phenomenal bestseller in John Williams's outstanding score. Williams typically avoids the source material for the films he scores, but he reportedly derived great pleasuO
O
Amazon.com's Best of 2001
You needn't see the film of Harry Potter and the Sorcerer's Stone to appreciate the wonder, magic, and fearful chills of J.K. Rowling's phenomenal bestseller in John Williams's outstanding score. Williams typically avoids the source material for the films he scores, but he reportedly derived great pleasure and inspiration from Rowling's first Harry Potter adventure, and created a perfect motif (fully expressed in "Hedwig's Theme") to dominate his score. It's first heard as a dreamy celesta waltz and embellished through myriad incarnations and moods, often with a sinister edge befitting the darker tones of Chris Columbus's direction. Evident are fantastical allusions to Saint-Saëns and Tchaikovsky (among others), and Williams's epic track is "Quidditch Match," a breathtaking frenzy to accompany the film's dazzling highlight. And while Williams occasionally flirts with self-plagiarism (with inevitable variants of his Hook and Star Wars themes), this is nevertheless a richly regal score that brilliantly evokes the mystery and magic of Harry Potter's world. --Jeff Shannon
"*Harry's Wonderful World:This is one of the more fantastical-sounding pieces that John Williams created for the movies and I think it really fits the mood of the first two movies in which it appears.
As much as this film set the pace and tone for the first three films, this is, besides Hedwig's theme, which I have placed in the second film, really the only major standout piece. The rest of the music is rather functional, in my opinion."