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That Faith Hill would increase the pop elements of her music doesn't come as a surprise. After all, she's a youthful, vivacious woman plenty capable of gaining the mass appeal mined by fellow female country artists Shania Twain, LeAnn Rimes, and Deana Carter. What is surprising about Hill's fourth album is how she brings new depth to
That Faith Hill would increase the pop elements of her music doesn't come as a surprise. After all, she's a youthful, vivacious woman plenty capable of gaining the mass appeal mined by fellow female country artists Shania Twain, LeAnn Rimes, and Deana Carter. What is surprising about Hill's fourth album is how she brings new depth to her songs as well as a fresher, more pop-based sound. Instead of trying to out-sing Rimes or out-dance Twain, she works with producers Dann Huff and Byron Gallimore to create a distinctive country-pop style that is as mature as it is entertaining. As her massive crossover hit "This Kiss" proves, Hill and her collaborators know how to make the most of her limited voice and exuberant personality. The album has plenty of songs that use her talents, including the initial smash hit. --Michael McCall
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