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Wu-Tang Clan mastermind RZA's sophomore solo project comes with Kobe Bryant-high expectations. Unfortunately, there's much here to suggest that the RZA's beat-making skills need to be RZA-rected. The largely sample-based vocal loops employed on "Can't Loose" and spontaneous tempo changes on "Brooklyn Babies&qN
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Wu-Tang Clan mastermind RZA's sophomore solo project comes with Kobe Bryant-high expectations. Unfortunately, there's much here to suggest that the RZA's beat-making skills need to be RZA-rected. The largely sample-based vocal loops employed on "Can't Loose" and spontaneous tempo changes on "Brooklyn Babies" hint at the full brilliance once illustrated by one of hip-hop's most avant-garde producers. Similarly, "Must Be Bobby" boasts some of the off-kilter keyboard sounds that have become a trademark of his productions. However, long gone are the experimental beats and rhymes first heard on Enter the Wu-Tang (36 Chambers). Instead, one is left with confusing tracks in which barely decipherable rapid-fire rhymes about bedding women and shooting guns are strung together. "Black Widow Pt.2" is another one of those mediocre and offensive songs where lyrical loose cannon Ol' Dirty Bastard utters juvenile profanities. While "Show You Love" is a timely ode to the full range of Wu diehards, Bobby Digital's sexcapade rhymes square off one too many times against his 5%-Nation-of-Islam musings. Doesn't one style completely undermine the other? Well, "Build Strong" kind of sums up why RZA's once-dominant career is spiraling downwards when he raps that he's "physically enslaved by the luxuries of this world / So I behave like a man inside the grave, who's life is lost." --Dalton Higgins
"What was this? As much as a Wu-Tang and Co. fanboy that I am I could not get behind this album. I felt that it had no direction. Sure, "La Rumba", "Brooklyn Babies", and "The Sickness" jam, but three tracks out of fifteen? Come on RZA!"
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The Let down: Albums 
