Description:Bringing It All Back Home is singer-songwriter Bob Dylan's fifth studio album, released in March 1965 by Columbia Records.
The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers inBringing It All Back Home is singer-songwriter Bob Dylan's fifth studio album, released in March 1965 by Columbia Records.
The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band - a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as "Blowin' in the Wind" and "A Hard Rain's a-Gonna Fall"), as his lyrics continued their trend toward the abstract and personal.
The album reached #6 on Billboard's Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, "Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at #39.... (more)(less)
Manufacturer : Columbia Release date : 22 March 1965 EAN: 5099751235323
"Highlights on the first listening: "Subterranean Homesick Alien", "Gates of Eden" and "Bob Dylan's 115th Dream". The latest especially, I love Dylan's funny tracks."
ToniJJJ added this to a list 2 years, 10 months ago
""It's very complicated to play with electricity," Dylan said in the summer of 1965. "You're dealing with other people. . . . Most people who don't like rock & roll can't relate to other people." But on Side One of this pioneering album, Dylan amplifies his cryptic, confrontational songwriting with guitar lightning and galloping drums. "Subterranean Homesick Blues" and "Maggie's Farm" are loud, caustic and funny as hell. Dylan returns to solo acoustic guitar on the four superb songs on Side Two, "