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Faithless's fifth studio album, To All New Arrivals, is a tribute of sorts to the brand new babies that band-members Rollo and Sister Bliss recently (and separately) brought into the world. Lead single "Bombs", with its chugging, understated beat, social analysis and decidedly anti-war stance
Faithless's fifth studio album, To All New Arrivals, is a tribute of sorts to the brand new babies that band-members Rollo and Sister Bliss recently (and separately) brought into the world. Lead single "Bombs", with its chugging, understated beat, social analysis and decidedly anti-war stance, makes for an impressive start. From there the album gets a little bogged down in the rose-tinted sentimentality of 'new parent' syndrome. "Spiders, Crocodiles and Kryptonite" has someone uttering childish inanities in a silly voice (its saved by an extended segment of the Cure's "Lullaby" - but only just); the uplifting "Music Matters" (with Cass Fox) is marred by mawkish lyrics; "I Hope" offers similarly trite messages of parental hope, and the title track plots sounds like a song for Children In Need. All this is doubtless well meant, but comes across as naïve, even vacuous in places. Fortunately the music fares better. Aside from the wishy-washy "Last This Day" (with Dido) and the nondescript "Nate's Tune," the robust "Hope & Glory", the wonderful "A Kind Of Peace" (with Cat Power), the catchy "The Man In You" and the bristling finale, "Emergency", show that Faithless are still capable of writing rousing club sounds. --Paul Sullivan (Review copyright Amazon.co.uk)
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