Description
First released on Munich's fashionable International Deejay Gigolos label back in 2001, Fischerspooner's debut album #1 was an immediate underground sensation. The creation of two New York fashion queens, Warren Fischer and Casey Spooner, it swiftly became the defining example of what clued-up onlookers began to know as electroclash--a brand
First released on Munich's fashionable International Deejay Gigolos label back in 2001, Fischerspooner's debut album #1 was an immediate underground sensation. The creation of two New York fashion queens, Warren Fischer and Casey Spooner, it swiftly became the defining example of what clued-up onlookers began to know as electroclash--a brand of synthetic punk music using not guitars and drums, but the traditional tools of the 80s musician: synthesiser, vocoder, sampled handclaps, sequenced bass. Feted in the style press, Fischerspooner became immediate cult superstars--and at the beginning of 2002, Ministry Of Sound signed the duo for a reported £2 million. "Emerge" is the record's defining moment: a seismic explosion of bass-powered synth-flurries accompanied by a nagging bon vivant mantra--"Looks good / Feels good / Sounds good"--it's up there with Donna Summer's "I Feel Love" and New Order's "Blue Monday" in the canon of all-time dancefloor classics. And luckily, the rest of the record is almost as good. "Fucker" sounds like a fuel-injected Kraftwerk, all high-speed technoid blips and orgasmic vocoder moans, while "Turn On" finds Fischerspooner crafting their answer to a straightforward pop song--albeit, one that vogues more than Madonna, and preens more than Prince. It's a fantastic, accomplished debut.--Louis Pattison
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Track listing1. Sweetness
2. 15th
3. Emerge
4. LA Song
5. Tone Poem
6. Horizon
7. Invisible
8. Turn On
9. ###@s#
10. Natural Disaster
11. Ersatz
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electronica
(44 items) by Mike Burns
Last updated 3 years, 10 months ago
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