Reviews of Schindler's List

Spielberg's eternal masterpiece and his best!!!

Posted : 11 months, 2 weeks ago on 29 November 2008 08:18 (A review of Schindler's List)

Today is history. Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it. Six hundred years ago when elsewhere they were footing the blame for the Black Death, Casimir the Great - so called - told the Jews they could come to Krakow. They came. They trundled their belongings into the city. They settled. They took hold. They prospered in business, science, education, the arts. With nothing they came and with nothing they flourished. For six centuries there has been a Jewish Krakow. By this evening those six centuries will be a rumour. They never happened. Today is history.


Directed by: Steven Spielberg

Starring: Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Embeth Davidtz

Genre: Biography/Drama/War

Running time: 195 minutes



My review:

The film represents the indelible true story of the enigmatic Oskar Schindler, a member of the Nazi party, womaniser and war profiteer who saved the lives of more than 1000 Jews during the Holocaust. It is a triumph of one man who made a difference and the drama of those who survived one of the darkest chapters in human history because of what he did.


I loved Schindler's List an awful lot. I liked it first time but loved it even more after watching it again. It is really emotional because obviously it is a heartbreaking film because of the Holocaust and what happens to the Jews during World War II. Approximately 6 million Jews were murdered. This film truly shows us what the Holocaust was really like and what the Jewish people were treated like. Schindlers List shows us what it was really like and made us feel like a Jew because we felt sorry for them because they werent appreciated at all. This film made me feel quite sick in a few ways because the Nazis stated that the Jews were scum, evil and with dirty blood but they arent at all. They are only human. The Nazis are the ones with dirty blood, scum and evil because what they do to the Jews is right to them. Despite of how emotional, heartbreaking and depressing this film is, it is also an absolutely beautiful and inspiring film too. This film shows that even an enemy can save people for the right reasons which is what Oskar Schindler does. It also shows despite of what damage humans can create but also shows what beauty humans can create aswell. Schindlers List is one of those films that is really hard to watch and that everyone must watch aswell. I find Schindlers List quite hard to review to be perfectly honest.

Liam Neeson delivers an absolutely outstanding performance as Oskar Schindler. Neeson is obviously a well known actor but he doesnt really earn much credit for the films he has been in like Star Wars: Episode I - The Phantom Menace, Batman Begins, Kingdom Of Heaven and Kinsey. Oskar Schindler is the character of Neesons character and is without a doubt Neesons best performance. He is the perfect Schindler because he makes Schindler not only a real life person but also a character of his own in my opinion. He deserved his Oscar nomination but wasnt good enough in my opinion to win the Academy Award. Oskar Schindler was obviously a hero but Liam Neeson made him a real hero of his own as his own character. Ben Kingsley delivers an awesome performance as Schindlers Jewish accountant Itzhak Stern. Stern worked alongside Schindler as the accountant for his Enamelware company in Kraków and greatly helped in running the company. He is credited with typing the list of names known as Schindlers List; a list of Jews who survived the Holocaust because of Oskar Schindler's intervention. Ben Kingsley was a major and extremely supportive actor in this film. He alongside Liam Neeson in the scenes made this film more powerful that it already is. He should have had an Oscar nomination alongside Ralph Fiennes in this film. Ralph Fiennes delivers an even more powerful performance as commandant of the Nazi Concentration Camp Amon Goth. Ralph Fiennes also made Goth a character of his own too because of how cleverly Fiennes interpreted the cold hearted man that was Amon Goth. Ralph Fiennes has always been brilliant at portraying a villain but Amon Goth is the colder villain than Lord Voldemort in the Harry Potter series. He is truly a character that I want to really hurt so badly because he is so cold and horrible. Ralph Fiennes deserved his Oscar nomination in this film.

The directing from Steven Spielberg was absolutely phenomenon. The beauty as well as the horror that Spielberg brings into this film is just great. Spielberg proves something in this film especially when it involves the little girl in the red coat because anyone can see a Jew suffer, anyone can help a Jew and also anyone can hurt a Jew that size. Despite, the fact that the little girl doesnt speak in the film, she is quite a difference making character because she is the only character that shows colour because she is like the only beauty within the film even though there are dark hours and dark events that occur in this film which is why I have to call Schindler's List the best from legend Steven Spielberg. I think the one thing that I simply love about Steven Spielberg is that all of his films affect people in different ways. Most of the films he has done have been very heartfelt emotional ones particularly this, E.T: The Extra-Terrestrial, The Color Purple, A.I: Artificial Intelligence, Saving Private Ryan, Munich, The Terminal and Catch Me If You Can. But Spielberg can affect people because of the complete enjoyment of his films. For example, Jurassic Park, Indiana Jones, Jaws, Close Encounters Of The Third Kind and War Of The Worlds are complete action packed thrill rides. People will love those because of its action, suspense and general beauty of them. The script writing was phenomenal. It was very clever and it was very persuasive in a slight way because of the beauty and the horror that was the Holocaust. This film is obviously a war film but it isnt a war action packed soldier film but despite that, this film needs to be called a war film because it is obviously set during World War II (1939-1945) and also because it is like a war that the Nazis are causing in the Holocaust between them and the Jews. This is one of the best biography films ever made. The one film that is similar to Schindlers List is The Pianist because it is the cloest film to Schindlers List that tells a true story about the Holocaust.The only difference is that The Pianist is mostly about one person but Schindlers List is about every single Jew in Poland.

The chemistry between Oskar Schindler and Itzhak Stern was obviously a slight enemy side to it because Stern is Jewish and Schindler is Nazi but they obviously are absolutely great friends who arent just work partners but also seem like brothers or any other family relation. Their relationship was beautiful. My heart melted when Schindler broke down in tears because he couldnt get enough Jews out to save them but Stern understood Schindler and said that he had got enough out and that he did too much. Also, when the Jewish people walked up to Schindler and hugged him. I felt really tense with the relationship between Oskar Schindler and Amon Goth because it is like a certain clash of personality. Schindler sort of changes personality when he first sees what the Nazis do the Jews and how they treat them. Also, of how Amon Goth treats them. It is tense because no one knows for sure whether Schindler did confront Goth about the Jewish massacre.

The twist was when Schindler decided to write a list down of all the Jewish people he could save from the Holocaust and death itself. Every single thing about this film was true. It is a story that I first didnt believe was true but it really was true.

This film was very violent when some Jews were shot in the head. There was a lot of bloody impacy from the gunshots from the Nazis. This film did have one sex scene involving Schindler and his wife and that was about it with sex itself. But there was an awful lot of nudity especially when the gas chambers were involved and also when the Jews were told to run around a field naked until they are told to come out and either be sent to a camp or work.

The cinematography was absolutely outstanding indeed. I liked the black and white photography within the film. It is so clever how it changes from a black and white screen to a complete colour screen with the same Jewish people which occurs around the end of the film. The art direction was awesome. It truly made it seem like it was in World War II. I loved the costumes too especially on the little girl with the red coat. The make up was phenomenal too. The music was sort of typical classical music.

This film was a winner of 7 Academy Awards overall. It won Best Picture 1993, Best Director (Steven Spielberg), Best Art Direction, Best Costumes Design, Best Cinematography, Best Film Editing and Best Music Score. It was nominated for Best Leading Actor (lost to Tom Hanks in Philadelphia), Best Supporting Actor (lost to Tommy Lee Jones in The Fugitive), Best Costume Design (lost to The Age Of Innocence), Best Sound (lost to Jurassic Park) and Best Make-Up (lost to Mrs. Doubtfire). This film won 3 Golden Globes in total. Best Picture (Drama), Best Director (Steven Spielberg) and Best Screenplay. It was nominated for Best Leading Actor (Drama) (Liam Neeson) but lost to Tom Hanks in Philadelphia, Best Supporting Actor (Ralph Fiennes) who lost to Tommy Lee Jones in The Fugitive and Best Music, Original Score which lost to Heaven & Earth.

This is my favourite film from the extremely talented Steven Spielberg. It is Liam Neesons best film and is certainly Ralph Fiennes best performance too. The ending was beautiful which makes it one of the most powerful endings of all time. It is such an inspirational ending too that will warm your heart. This will always be Steven Spielbergs eternal masterpiece that will be remembered forever!!!

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The List is life.

Posted : 1 year, 2 months ago on 26 August 2008 04:29 (A review of Schindler's List)

''Today is history...''

Oskar Schindler uses Jews to start a factory in Poland during the war. He witnesses the horrors endured by the Jews, and starts to save them.

Liam Neeson: Oskar Schindler

Ben Kingsley: Itzhak Stern

Ralph Fiennes: Amon Goeth

Thomas Keneally's bestselling book was made into a movie adaptation of awesome historical resonance and emotional valour. Oskar Schindler was a Catholic war profiteer during World War II. He initially prospered because he went along with the Nazi regime and did not challenge it. But Schindler ultimately saved the lives of more than 1,000 Polish Jews by giving them jobs in his factory, which turned out crockery for the German army. Schindler lost his wealth, but gained salvation for many lives and the descendants that would spring from those lives.

List was made in Poland, and incorporates authentic locations. The look of the film, primarily in grainy black and white, reminds us that we truly are watching history right here and now. Despite the movie's considerable length, it is never slow or dull. It is hard to believe that Hollywood, which so often churns out mindless drivel aimed at making money, could produce something so important and powerful as this film.
Schindler's List is a cruel and honest depiction of the 2nd world war and genocide, cruelness and humanities inhumanity to man.
A true story about a man who had morals, had a heart and above all the will to stand against bullies, against heartless fascists, with no sense of decency.
Graphic and detailed, Jews treated like a cancer. The 2nd World War has always been one of my fave periods of history. Suffering and monstrous, among Downfall, The Pianist & Black Book this is greatness again...

Beautiful symbolism, especially a little girl in a red dress amongst all the killing and a Nazi playing Mozart amongst killing and more killing.
Music and songs are fantastic and are a heavy contrast in places which i found fascinating. Genius.

Liam Neeson as Schindler is a beautiful character. You see so much in his eyes alone, so much compassion that it moves you on every level.
His heart shines through, if one man making a difference is to ever be shown in an example, Oskar Schindler.
Oskar Schindler was a Sudeten German industrialist, a wealthy womanizer who wasn't afraid to throw his money around. Always bearing his Nazi Party badge proudly, Schindler would often frequent nightclubs, extravagantly showering high-ranked Nazi officers and their girlfriends with champagne and caviar. With impeccable connections in the black-market, there was little that he couldn't get his hands on, and he was a good person to know. Buying friends was something that Schindler could do well, and he would often use these newfound alliances to aid his own business ventures. When thousands of the Polish Jew population was relegated to the Kraków Ghetto in 1941, Schindler saw an opportunity for further success, enlisting desperate Jewish investors and employing Jewish workers (who were substantially cheaper to employ) to open an enamelware factory. His connections in high places ensured lucrative army contracts, and Schindler need only have watched as his personal fortune grew, despite doing little to run the company beyond offering it "a certain panache."

It is clear from the beginning that Oskar Schindler does not harbour any racial prejudices. When Schindler requests the services of Itzhak Stern (Sir Ben Kingsley), a clever, humanitarian Jewish accountant, Stern declares that, "By law I have to tell you, sir, I'm a Jew."
"Well, I'm a German, so there we are," replies Schindler indifferently, before getting straight to business. It is not race that he is concerned with, it is himself and, of course, his money. Stern does not enjoy running Schindler's business, and he initially acquires little satisfaction from it. When Schindler attempts to convey his genuine gratitude for his profitable services with a glass of whiskey, Stern absentmindedly refuses to drink it, and an embittered Schindler drinks it himself before ordering Stern to leave.
With the arrival of Amon Goeth (Ralph Fiennes), a Hauptsturmführer of the SS, the hopeless plight of the Jews grows darker. In a harrowing extended sequence, largely based on the testimonies of Holocaust survivors, the Jews are mercilessly "liquidated" from the Krakow Ghetto, many simply shot on the spot. "Today is history," proclaims Goeth. "Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it?. For six centuries there has been a Jewish Krakow. By this evening those six centuries will be a rumor. They never happened. Today is history."
Ralph Fiennes as Amon fascinated me. A man so cold and unfeeling, he treats Jews like germs, like animals. His disposition wonderfully portrayed ranging from him coldly murdering in the blink of an eye. Snipering them at leisure, taking them out to shoot. Perfect example when his gun fails to work as he is going to kill for not making enough hinges. It's horrifying to see a man without morals or any form of compassion, in short, a perfect Nazi devoid of humanity and reason.
Amon Goeth in a way is the complete opposite of Schindler, an evil bastard who is brought to life by the genius of Ralph Fiennes, in one of his finest roles and more than likely, his best to date.

So evil, I love the apparent reveling in evil yet normality for the Nazis, and at the same time it's shocking and wrong. He enjoys killing, he's doing his job, he's eradicating this sub species, these people to them are no longer classed as human beings. Yet in doing this they have lost their own humanity. A perfect example of the two paralleled men, and there two different thinking stances is the power of undeniable, unrelenting Mercy.

Director Steven Spielberg, long known as a blockbuster filmmaker, with adventure classics as Jaws, E.T. The Extra Terrestrial and Raiders of the Lost Ark to his name, Schindler's List was and remains Steven Spielberg's most mature, most timeless, historically important directorial effort. Working with a screenplay that Steven Zaillian adapted from Thomas Keneally's Booker Prize-winning Schindler's Ark, Spielberg treats the subject matter with the respect it deserves and indeed requires. Wisely choosing to depict the events as realistically as possible, Spielberg allows the images to speak for themselves. Flawless acting, stunning cinematography and a haunting John Williams score excel this film above all others of the 1990s. This is the powerful story of the difference that just one man can make, and it is a story that deserves to be seen by all. We can only feel grateful that it was Steven Spielberg who chose to be at the helm.

Steven Spielberg has crafted a masterpiece. Just to add it was hard watching the concentration camp part, heart felt watching Schindler receive the ring and his selfless way.
To have so much fear and hatred, coldness and malice and to see it overcome by hope and evil overthrown, Schindler's List should be watched by all...for to forget our past is to forgot our future and thus begin that vicious circle.
Schindler's List was nominated for 12 Academy Awards and won seven including Best Picture and Best Director for Steven Spielberg. Liam Neeson and Ralph Fiennes were nominated for Best Actor and Best Supporting Actor. It deserved every honour it got and I only wish Neeson and Fiennes were winners also.

It's a film about the Holocaust, but it's also a film about the results of dehumanization of a people and when the state executes the process, thus showing us the immoral extermination results. Steven Spielberg's best film to date, although he always makes a good film regardless, Schindler's List is his best work.

''It's Hebrew, it's from the Talmud. It says,-Whoever saves one life, saves the world entire-''

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Spielberg's most powerful film...a masterpiece!

Posted : 1 year, 4 months ago on 24 June 2008 05:47 (A review of Schindler's List)

It's Hebrew, it's from the Talmud. It says, "Whoever saves one life, saves the world entire."

Steven Spielberg's Schindler's List is a challenging film to review. The incentive behind this is not because it's a bad movie...but that it's such a powerful experience to exhibit and it's virtually unfeasible to illustrate its power by employing words. In a sense, Spielberg's Schindler's List is something much more than a movie: this is a phenomenon!

When it was announced that director Spielberg was taking the reigns, this declaration encountered nothing but abject incredulity. Beforehand the director had only helmed mainstream blockbusters and films exhibiting bright exuberance like Jaws, Always, The Sugarland Express, Raiders of the Lost Ark and several others. Questions and uncertainties began to surface concerning the director's aptitude and capability to tackle a project of such enormity. There comes an occasion in the career of a director when they step away from the genre in which they take an interest, instead attempting something new. Certain directors have failed, some have prevailed. When Schindler's List was set for release, audiences sharpened their knives due to their qualms regarding the director. But make the film Spielberg did, and the world came to watch.

Spielberg achieved his goal beyond all initial comprehension...this was a step upwards for the director and a significant milestone in contemporary cinema. For the film's three hours duration audiences sat under an overwhelming collective spell - horrified, beleaguered, fascinated, inspired. As movie-goers stumbled, erratically blinking, from the theatres of the world, moist-eyed and moved, it became clear that a new era of filmmaking had commenced. Spielberg traded in his stereotyped career in the year 1993 with an astonishing double-whammy - he envisioned an unparalleled Holocaust template with Schindler's List, as well as resurrecting the dinosaurs with his astounding vision in Jurassic Park. By 1994 Spielberg was presiding over the most lucrative motion pictures of all time, and finally he received his cherished Oscar.

The subject matter is correctly a delicate topic. After all, it was only a number of decades ago that Adolf Hitler instigated a policy that necessitated the annihilation of Jews. Personally, I have studied the Holocaust in detail and am knowledgeable in the intricate, heart-wrenching niceties regarding the events leading up to mass murder. On a daily basis throughout the Holocaust, thousands of Jews were executed in sadistic ways - people were cooked alive, some shot, even some were exposed to poison gas. The disturbing factor is that the Nazis never felt an iota of sympathy due to the attitudes they were so severely lead to believe.

The focus of Schindler's List is not to portray the horrors that unfolded in extermination camps at all. Spielberg keeps the focus purely on the more minor events, and above all the viewpoint from a select few characters. The heavy nature in its depiction of executions challenges out notion of tolerance. We are challenged not only by the staggering acts of cruelty we see, but by the equally confounding acts of kindness. As we observe these ghastly proceedings unfold, we are strained to identify those virtues within ourselves that are equally light and dark. Schindler's List is not a film that we can impassively scrutinize. We are propelled into the dismay and the panic...the indignity, the brutality. As the title would suggest, this film is mainly the story of one man: Oskar Schindler (Neeson). Schindler is a Czech of German ethnicity who travels to Poland with the intention of becoming a war profiteer. He employs assistance from Jewish investors in order to buy his own pots-and-pans factory. At the outset, Schindler uses forced Jewish labour because it was inexpensive compared to hiring Polish workers. However, Schindler witnesses as World War II and the Holocaust develops with devastating results. These events are too overwhelming to fathom, and Schindler begins experiencing a slow, subtle moral awakening. His poignant story of bravery and generosity launches when Schindler cons the Nazis as he places more than a thousand Jews under his protection. By the conclusion of World War II, Schindler had exhausted his whole war-generated wealth to guarantee that his Jews would never again be touched by the Nazis.

On a more subtle, thematic level the screenwriter portrays a battle for Schindler's soul between camp commandant Amon Goeth (Fiennes) and Jewish accountant Itzhak Stern (Kingsley). Schindler's story is a staggering one. In a cacophony of death clouding his existence, one man managed to save roughly 1,100 Jewish lives using charisma, bluster, and trickery. The Holocaust has been previously described as a mechanical insanity because of the enormity of people who followed the philosophies: they are like cogs in a machine. It took a single person...a single machine cog with alternative ideas and an ethically problematic lifestyle (Schindler treasured alcohol and womanising) to mislead the Nazis (who regarded him as their frivolous comrade).

At the centre of the film we have a simply sublime group of actors. Liam Neeson nails the character of Oskar Schindler in a satisfyingly brilliant performance. Neeson perfectly displays Schindler's quiet method of expressing his morals. His outward show suggests he is a close buddy of the Nazis, but on the inside he's resentful and anguished towards the brutal, arbitrary termination of Jewish lives. Neeson was nominated for an Oscar. Ralph Fiennes was also nominated for an Oscar. His performance is utterly terrifying: he's intimidating and unnerving whenever he steps into the frame. His sheer established cruelty and viciousness will be enough to leave you in complete shock. This actor is focused as he portrays a character that appears to be soft-spoken when in fact his intentions are cruel and inhuman.

The meticulous screenplay was penned by Steven Zallian, and was based on the source material by Australian writer Thomas Keneally. Interestingly, Keneally was an accomplished author when he strolled into a luggage shop and immediately struck up a conversation with the shop owner. Said shop owner was one Leopald Page, formerly Poldek Pfefferberg: a Schindlerjuden. During their friendly conversation, Pfefferberg conveyed to Keneally the story of Oskar Schindler: the German industrialist who had saved him and 1,100 others from certain death in occupied Poland during the 1940s. Schindler was a Nazi who had not stood back. Keneally was so inspired and moved that he transformed this story into the Booker Prize winning novel Schindler's Ark. The rights were soon purchased by Universal boss Sid Sheinberg, and the transformation from book to movie was soon initiated. When Spielberg was involved in the project he originally offered the film to director Roman Polanski, but his own experiences in Polish ghettos were too tender for him to accept the director's chair. Thus Spielberg, who was at the time ensconced in post-production work for Jurassic Park, decided to tackle the directing duties himself. The director flew to Poland and began his masterwork for which he accepted no salary, saying that it would be akin to taking "blood money."

Spielberg worked intimately with cinematographer Janusz Kaminski, and the project was lensed using stylish grainy black and white photography techniques. The film was undertaken without any storyboarding: Spielberg planned each shot instinctively as the cameras were about to roll, where all of his God-given skills as an accomplished director were distilled into something intuitional and turbulently expressive. The cinematography techniques created a realistic atmosphere of almost documentary footage: he utilised jarring hand-held filmmaking to portray the intense confusion for the Jews during times of complete chaos. Spielberg evokes these creative techniques to create the illusion of complete immersion: for the 190 minutes that make up this film's duration, you will feel transported to an entirely different world...you will feel engrossed in the occurrences. The music by none other than John Williams (Spielberg's trademark composer), is a poignant composition that adds to the atmosphere. But it's not the music that ultimately helps the audience get involved: it's the visuals. One scene was played to very little music; however it always makes me cry. The scene in question is when we watch as corpses are transported past Oskar Schindler to be dumped into the ground without an iota of sentimentality towards any of the victims. No matter how manly you consider yourself, your eyes will be moist.

Spielberg does not want his audience to endure a fun romp that you'll want to immediately watch again...he instead tells his story straight and with the utmost sincerity. World War II films cannot come more personal than the masterpiece that is Schindler's List. The reviews were exultant and the Oscar committee rewarded the film with twelve nominations. Although Spielberg did receive some criticism in relation to several aspects of the film, such judgements are hard to swallow after watching this film. While some slam the director for not including the prejudice towards the handicapped and the homosexuals that were also prosecuted, or that the focus was shifted away from the concentration camps...quite simply it does not matter at all. This is the story that Poldek Pfefferberg wanted told: a story that intimately examines one man and his struggle to come to terms with his morals during an internationally horrific event. This was never meant to be the definitive Holocaust film and hence doesn't need to concentrate on all aspects...this is a personal movie based on a personal experience.

After trying with such dedication since the commencement of his career, Steven Spielberg has finally achieved a mature production with Schindler's List. An extraordinary work by any standard: this intense historical and biographical drama, about an amazing Nazi industrialist, evinces an artistic intransigence and unsentimental intellect disparate from anything the world's most successful filmmaker had previously demonstrated. Infused with a brilliant screenplay, outstandingly sinuous cinematic techniques, three astonishing lead performances and an approach toward the traumatic subject matter that is both passionately felt and impressively restrained, this is the film to win over the Spielberg skeptics.

Even now, all these years after its cinematic release, Schindler's List remains an expressive, heartbreaking and remarkable slice of filmmaking that transcends all obstacles of theatrical disbelief. The film successfully draws us personally into the dark hearts of a dark age, and then liberates us with the few beams of light produced by the actions of the righteous few. The harrowing detail and poignancy of this production will enthral audiences for generations of movie-goers to follow. After you finish watching this movie you will have the words of Schindlerjuden profoundly present in your heart - "That it may never happen again." Winner of 7 Oscars including Best Picture 1993, Best Director (for Steven Spielberg), Best Cinematography (for Janusz Kaminski), Best Music (for John Williams), Best Film Editing (for Michael Kahn), Best Writing based on other material (for Steven Zallian) and Best Art Direction/Set Direction (for Allan Starski and Ewa Braun).

10.0/10

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Schindler's List review

Posted : 1 year, 6 months ago on 27 April 2008 09:23 (A review of Schindler's List)

I have watched this film many times and it never lost its emotiveness or poignancy.

The whole film is like a stab in the gut; scene after scene of terrifying acts of genocide, racial hatred and sadism that defined The Holocaust.

Filmed with art and dignity; it is by no means a gory 'snuff' film like 'The Passion'. Filmed in black and white throughout and thrown into colour at the end; when hundreds of present day Jews (many of them Schindler's workers) come to pay their respects to him.

Liam Neeson acts superbly throughout; after all his work Schindler feels nothing but guilt at how many more he should have saved. This scene in particular had me reaching for the cleenex.

There is no obvious happy ending as is typical with Spielberg. Despite Schindler's work, we are still left with the overwhelming loss of people and the devastating effect the nazi regime had on those who did survive.

This film raises the deepest levels of disgust in me for the acts of the nazis; while simultaneously evoking a pride and respect for those suffered through the regime. It is the real and disturbing subject matter, dealt with so well, that puts this film head and shoulders above any act of fiction.


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