"There's no point in Bruno Dumont's Hadewijch that viewers can feel completely safe in the knowledge that they know what's coming next. The emotional tumult that Julie Sokolowski's teenage Celine subjects herself to is, after a point, indecipherable. Celine's age and privilege make her a prime target for all kinds of predators but her conviction prevents attentive viewers from patronizing her as a babe lost in the secular woods. Sex, religious crisis, and the omnipresent threat of imminent violen"