Lists  Reviews  Images  Update feed
MoviesTV ShowsMusicBooksGamesDVDs/Blu-RayPeopleArt & DesignPlacesWeb TV & PodcastsToys & CollectiblesComic Book SeriesBeautyAnimals   View more categories »
Listal logo

Fences (2016) review

Posted : 1 year, 4 months ago on 21 May 2017 08:26

Honestly, I think Wilson is a little overrated. I don't think Denzel is too teathrical, I think the play is too classy even with its deep broken characters.

0 comments, Reply to this entry


Posted : 1 year, 6 months ago on 24 February 2017 08:04

Fences is a triumph of acting and for bringing the great August Wilson onto a larger stage. Wilson’s dialog and poetic sense of drama shake the screen and thunder down on you. It’s an absorbing experience of watching working class black characters struggle and the heft of tragedy you’d normally find the works of someone like Arthur Miller. These are the unseen workers that help keep society flowing, but Wilson gives them a chance to say how and why they matter, to express their angers and dreams, to take center stage in the fabric of American storytelling.


For all of these strengths, Fences is still slightly unsatisfying as a piece of cinema. The reason for this is simple, Denzel Washington is perhaps too in awe of the material and merely points a camera at his fellow actors. Fences is a case of shooting the play exactly as it exists onstage with little-to-no opening of the material. This is a hermetically sealed world consistently primarily of a house and backyard where Washington’s sanitation worker can express his stifled dreams and trap his family in his pent-up poison.


Think of the best examples of films made from famous plays, and think of how they interpreted the material for the screen. Washington thinks that his cast and the book are enough, and in many ways they are. But there’s a tedium that sinks in to the shots and it all starts to feel like an episode of Great Performances. An episode of Great Performances that could also double as a master class in acting.


Washington is, of course, one of our great charismatic movie stars. He turns that natural charisma and likability into a man that pops with ingenuity for oratory self-mythologizing. He charms us like he charms his friends and family members before slowly revealing the poison and resentment lurking underneath. This man is not a winking or likable devil by the time the film ends, but a complicated, nasty bastard who can turn on the charm when he finds it expedient. If he wins his third Oscar for his work here, it’ll be a well-earned victory for the ways he sears into Wilson’s juicy monologues while releasing complicated emotional detours in-between his words.


Viola Davis not only holds her own against Washington, no small feat, but emerge as the soul and heart of the piece. She goes about the business of keeping everything in her household operating and moving smoothly, displaying a lived-in grace and bone-deep tiredness that preps you for the bigger moments. Everyone will know the big moment, where she chastises Washington, her face covered in snot and tears, but it’s the quieter moments that linger with you. It’s nearly jarring how exhaustive and honest her portrayal is. Davis is one of our greatest working actresses, and the first black actress to reach Oscar nominations. Fences may just end up being the peak of her career.


While I firmly believe another director, like Barry Jenkins, Steve McQueen, Spike Lee, or Ava DuVernay would have taken a less hagiographic treatment of the material, Washington’s Fences cannot be thrown out. The acting is too great, the torrents of words too poetic and beautiful, too coiled and angry to completely say that Fences is not worth the trip. Maybe Fences will be the vessel to bring August Wilson’s work to the largest audience possible. All of this makes it impossible to outright dismiss, no matter how frustratingly banal or flawed it can be in spots.

0 comments, Reply to this entry

Fences (2016) review

Posted : 1 year, 7 months ago on 18 February 2017 04:04

*This is adapted off a play that Denzel Washington (with Viola Davis) was actually in so that's pretty awesome.
*The original play in the 1980s had James Earl Jones in the lead!
*This is the third film directed by Denzel Washington himself and the first one I will have seen the whole thing.
*The man August Wilson who is credited for the screenplay even though he passed 11 years prior to the film is the man who wrote the play and book that this is adapted from.
*It's pretty cool that they don't seem to have messed with his story other than to make it work for a film.
*I have heard good things about this and from a legend like Denzel I am not surprised.
*So let's see if this as good as they say.

*The acting is absolutely remarkable.
*The characters are quite interesting.
*I mean the whole thing is very character driven which it does a good job with.
*It's interesting to note that most of the movie takes place in one particular spot seldom showing other parts.
*It really feels like a play though with the way everyone talks and how scenes are set up.

*I wish there was a James Earl Jones cameo somewhere.

This isn't your typical sort of movie. It's also not something you would be used to seeing Denzel Washington in. That being said it's pretty excellent. The acting is incredible and the characters are full and intriguing. It feels very much like a play, but it's a bit more involved with the setting. Anyways it's definitely worth checking out for just the performances alone.

0 comments, Reply to this entry

Insert image

drop image here
(or click)
or enter URL:
 link image?  square?

Insert video

Format block