Added by Mr. Saturn

on 29 Apr 2012 06:21

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Jean Renoir's Filmography

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Showing 39 items

6.3

6.7

1. Backbiters (1924)

6.6

6.9

2. Whirlpool of Fate (1925)

6.5

6.9

3. Nana (1926)

6.1

4. Charleston Parade (1927)

7.1

5. Marquitta (1927)

6.5

6.1

6. The Sad Sack (1928)

6.3

7. The Tournament (1928)

7.1

8. The Little Match Girl (1928)

6.1

9. Le bled (1929)

7.7

10. La Chienne (1931)

6.8

6.2

11. Baby's Laxative (1931)

6.7

12. Night at the Crossroads (1932)

7.2

7.5

13. Boudu Saved from Drowning (1932)

7.4

6.6

14. Madame Bovary (1933)

6.2

15. Chotard and Company (1933)

7.4

7.3

16. Toni (1935)

6.2

17. La vie est à nous (1936)

7.7

7.5

18. The Crime of Monsieur Lange (1936)

7.2

7.6

19. The Lower Depths (1936)

134

7.9

20. A Day in the Country (1936)

Jean Renoir didn't finish editing the film; ten years after filming, the producer turned the material into a release.

350

8.3

21. Grand Illusion (1937)

Mr. Saturn's rating:

8.2

7.7

22. La Bête Humaine (1938)

7.4

23. La Marseillaise (1938)

333

8.2

24. The Rules of the Game (1939)

Mr. Saturn's rating:

6.7

5.1

25. The Story of Tosca (1941)

6.9

7.2

26. Swamp Water (1941)

6.5

6.7

27. The Amazing Mrs. Holliday (1943)

7.5

28. This Land Is Mine (1943)

5.5

29. Salute to France (1944)

6.6

7.4

30. The Southerner (1945)

6.3

6.8

31. The Diary of a Chambermaid (1946)

7.5

6.6

32. The Woman on the Beach (1947)

7.7

7.6

33. The River (1951)

7.5

7.2

34. The Golden Coach (1952)

7.2

7.3

35. French Cancan (1954)

6.2

6.3

36. Elena and Her Men (Paris Does Strange Things... (1956)

8.3

6.8

37. Picnic on the Grass (1959)

7.4

6.9

38. The Elusive Corporal (1962)

6.4

39. Un tournage à la campagne (1994)

The original unedited footage of Jean Renoir's unfinished film, A Day in the Country, shown in chronological order.

A director makes only one movie in his life. Then he breaks it into pieces and makes it again.

In my opinion, the first problem–the most important problem in our world—is the problem of dissemination, and it’s the conception of this dissemination that may lead to catastrophe. . . . The way it’s used now, the influence of the masses leads to nothing but the scattering of material. For example, think of a liter of wine: it’s certainly sufficient when shared by three or four people. But if we want this same liter of wine to be shared by one thousand people, we have to put water in it, and then it’s useless. We have to wonder whether something like this doesn’t happen in the process of dissemination. —Jean Renoir, 1957

The filmography of Jean Renoir.