List added by The Mighty Celestial on 23 April 2009 07:25
My Top 60 Favorite "Horror"-Themed Movies |
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As I state in my description, movies don't scare me easily. A few did when I was a kid, but not anymore now as an adult.
That said, boy, when I think of the time that this movie was first released & watching it as young as I was, I know now why there hasn't been a movie since that has been able to scare me. This one got it all out of my system all in one shot (my mentality is probably still scarred from this flick in a manner that I, even as an adult, have yet to realize). From here on end, all other horror flix are just a step down for my traumatized pimp-ass. Even before I saw the movie, I remember seeing a preview of this on T.V., & it showed the part where the girl was on the bed, cryin for help as it shook. That night, I was scared as hell to go upstairs to my f#ckin' bedroom. That f#ckin' movie....... ![]() The Mighty Celestial's rating:
First of all, I couldn't care less how over-hyped this movie was. Anyone's whose opinion of this movie was as an adverse effect from this, it's their fault for giving it any attention in the first place. No hype, no matter how well-founded, should ever be believed.
Secondly, as kid, sure, but as an adult, I really can't get scared from movies anymore. Especially, if there's a monster or a Jason/Freddy/Michael Myers involved. The minute I see any of these guys on the screen wearing some kind of fright-enhancing mask or wielding a sharp object with a screaming Abercrombie & Fitch-looking teenager's name all over it, I am instantly reminded that I'm watching a movie, & thereby negating any chance of suspending my belief enough to being frightened anymore. However, Blair Witch tried to bring the horror of cinema as close to the real world as any fright flick could since Night Of The Living Dead (IMO, that is), thus making it seem like this situation could actually happen in this frame of reality. Plus, a major part of the fear-factor for this story's premise is that the lead characters, or even the viewers themselves, never actually get to see the witch in question. And as it has been stated many times over centuries, "The unknown is one the greatest fears to the human mindset". ![]() So while it still didn't scare me, TBWP probably came as close as it possibly can come to at this point in my life. As far as I can remember, I've never had any real inclination to go out on a camping trip of any sort. But now, because of this film, sleeping under a tent overnight in the middle of the woods, is a situation that I can definitely say that I will never expect to try & initiate. Ever. And for me, The Blair Witch Project earns a couple of extra points just for that. The Mighty Celestial's rating:
This was almost the "Blair Witch Project" of it's time, in that had a very documentary realism style to it that was later further advanced by the shaky camera genre of recent years.
And to my mind, it was the first time I had ever seen the depiction of zombies as truly scary. Because, let's be honest here. Even though everyone always makes fun of the fact that they're easy to escape, the truth is, if any of us were to be confronted by a husk of rotting flesh that stood upright, just the idea that we were actually witnessing one of the "living dead" would be enough to makes sh#t out our own skeletons. Or at least, scare us to a point of not being to think as straight as one would during such a situation. As is it convincingly depicted in the behavior of the various characters in this horror classic. ![]() The Mighty Celestial's rating:
![]() Take a Kubrick film & ground it with a Stephen King story & a role taylor made for Jack Nicholson & what you have is one of my top favorite horror movies ever. And with very little slashing, gore, or shock that most films of this genre (especially today) tend to rely on in order to frighten their audiences. The horror stems more from Jack's delivery & facial expressions as his character, writer Jack Torrance, gradually slips into the madness of a haunted hotel's dark intentions. The phrase "Here's Johnny!" wouldn't be a very scary line at all if it weren't for Jack's maniacal mug peering thru the door's craggled "peephole", freshly smashed thru by the axe-wielding author who suffers from writer's block & a possesed spirit, not to mention from a severe case of "redrum" on his mind. The Mighty Celestial's rating:
As someone whom is often very frustrated with most horror flicks, I was very pleased that this movie's plotline came off as very genuine. While most horrors tend to want the viewer say things to the screen like "Idiot! Run outside, not to the upstairs!" or "Don't go in there, you moron!", this movie actually made the situation of the onscreen victims seem logistically believable. Therefor, their fright & inevitable demise doesn't come off as deserving as those characters in other films who make one feel that their stupidity justified their grisly end. The intent of this film's story was to making the observer feel the fear through the fear of the victim, not just thru the idea of a mad demonic slash-object-wielding maniac. The Mighty Celestial's rating:
Let's be honest here....
at some point in life, we're ALL gonna need a bigger boat. ![]() The Mighty Celestial's rating:
Before the lead character in this movie was a werewolf, he was a Pepper. And for some subliminal reason, that made me want to be a Pepper too.
(Sorry kids. I know that the majority of you most likely won't understand that comment, b'cuz it's before your time. Look it up on youtube if you don't wanna be left in the dark. And you don't wanna be in the dark. Because the dark is where werewolves like dwell.) ![]() IMO, the best werewolf movie ever. The Mighty Celestial's rating:
Ridley Scott directs a tale of "in-your-face" first contact, followed by a fatal game of hide and seek between a interstellar search party crew and a xenomorph, just one of what will turn out in following sequels to be a a whole hive-race of double-mouthed acid-blooded slick black visitors who take the role of their hosts quite literally.
Never have the movies genres of horror & science fiction been so perfectly blended as in this stylish, dark and damp first entry into the franchise which first introduced what is, IMO, one of the most unique & simply bad-ass alien life-forms ever produced for film. ![]() The Mighty Celestial's rating:
Just a plain ol' classic, this one is right there. I am a huge fan of the first black & white Universal Monster series of way back in the day. From my point of view, any datedness that may have resulted over time from these original gangstas of horror quickly fade once the integrity of the energy that was captured in the filming becomes apparent.
One of the reasons I'm really looking forward to what they're gonna do with the the Benicio Del Toro update is because of how pleased I was that they didn't get him to look like the "more wolf than man" make-up that has become the standard for today. I still think that the modern look is cool an' all, but it doesn't need to be limited to one style. Despite the push that Hollywood has given movies like these as just empty escapist fare, the reality is, on a integral level, they're still an artform & thus should never be limited by any specific type of boxed labels. ![]() The Mighty Celestial's rating:
I don't care what any of you might think of the old Count, he's still the O.G. of bloodsuckers, suckas. If it weren't for him, Count Chocula cereal would just be called Chocolate Flavored Cereal Wit' Chocolate Flavored Marshmellows In It.
So pay 'em his due propers. Suckas. ![]() The Mighty Celestial's rating:
What Dracula did for Count Chocula cereal, the Frankenstein monster did for Frankenberries.
Suckas. ![]() The Mighty Celestial's rating:
Take what Cloverfield took from The Blair Witch Project, add a dash of 28 Days Later, and then sprinkle on some sub-titles (at least, in my case),
& there you go. A quality zombie flick of which I rarely get to see without a giant glob of gooey camp splattered all over it. ![]() The Mighty Celestial's rating:
![]() Due to the era that Psycho was released, Norman Bates may not have had the opportunity to cut through a swath of teenaged bodies (not that most teenagers back then didn't deserve it) in the manner that the Freddies, Michaels & Jasons do these days, but he definitely pioneered the crazed, almost supernaturally-empowered maniacs that the modern masked comtemporaries have become famous for. Though the datedness of this movie has seemed to lessen the shock & horror of this b/w classic, the energy of it still reverberates today & the ending shot of Norman Bates' visage is still one of the best creepy endings on film. ![]() The Mighty Celestial's rating:
At the time of this posting, this is a movie that I had just recently watched for the first time.
As I posted in one of my earlier entries, the Universal Movie Monster Trio, Dracula, Frankenstein & The Wolfman are perennial favorites on my TV set every Halloween. I had meant to watch this Spanish version of Dracky for awhile now, especially since TCM tends to show it every once in a while, back to back with it's American counterpart. Filmed at the same time (literally) as the Bela Lugosi version, this one features the same energy & enthusiasm as it's originator, seems even crisper in appearance (at least, to my eyes), & has more creative camera work than was allowed to the original version. Yet the best part of it all, is that this one is longer in length, but without any sacrfice to it's story quality. Though, the actor playing Dracula doesn't seem to have the "weight" in his presence that Bela Lugosi did, over-all, this is still a version of the "rey de los vampiros" that, after finally watching it, makes me feel like I just struck some big time cinema gold. ![]() The Mighty Celestial's rating:
Even though I respect the fact that in this movie, Hannibal Lector came along, with his fava beans & Chianti, and brung a certain level of high class to the concept of cannilbalism,
I must admit that, when it comes to having someone for dinner, I'm still a meat & potatoes kind of guy myself. ![]() The Mighty Celestial's rating:
Good horror movies come so rarely into my life. The same with good vampire movies. And the same also goes for good love stories (I refrain from using the term "romance movies" since I find Hollywood's idea of romance is always so impossibly & ridiculously fairy-tale-like). This movie is 2 outta 3 (Though there is some, it's very light on the horror). Told more in an adult manner, yet still with enough of an escapist sensibilty that is respective to the genre, this is a soft, beautiful & beguiling story (which is really saying something since I don't know what that word means) of two 12 year olds finding love for the first time thru the flaws of each of their separate (& sometimes desperate) life situations.
The lead actors for this movie portray their characters with a true down to earth awkwardness that is usually found with kids at this age, along with a longing that is both sincere & convincing. As far as vampire love stories go, I find myself agreeing with those who compare this one with another human-falls-for-bloodfeeder film that was released around the same time : the 15 year old girls can have their Twilight. I'll take LTROI. ![]() The Mighty Celestial's rating:
In this immensely successful sequel (one of the first to be so successful) , the Frankenstein Monster learns to talk, smoke a cigar, and on a social level, put himself "out there".
Now while he & the Bride give a new meaning to the term "made for each other", for any few of you who've never seen this movie, I won't spoil it for you by revealing whether or not she accepts his proposal or not. Lest to say that the fact that the name the follow-up film to this follow-up film is Son Of Frankenstein bears no reflection to the outcome of this movie. ![]() The Mighty Celestial's rating:
![]() While Texas Chainsaw Massacre introduce us the idea of an unstoppable masked maniacal force intent on making all mere mortals that it comes upon into it's chopped sushi bitch, Halloween introduced us the formula of this theme before it became formulaic. And also before the formula became stupid. Pay attention to the handling of the characters, the situations of each victum & even the simplicity of the musical score, & you'll find that even though this film requires the usual suspension of belief that is needed to swallow the outrageousness of this genre, Halloween does not require that you hide your intelligence too much behind any kind of William Shatner mask in order to enjoy it. Which is why, even though I'm not a big fan of the way the genre is handled these days, H-1 still is & always will be a classic for me. The Mighty Celestial's rating:
The thing in question is an alien life form that doesn't seem to have much in the way of a form other than when it takes on a host. And once it has gotten "possesion of your body" it will then mangle the shape of your physical form beyond anything you could even dream up in your worst nightmares. The Thing is a film that can literally hold true to the idea that the thing most scary about this movie, is that it's a movie about a scary Thing.
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The first vampire ever to be captured on screen & still is, by far, the creepiest looking bloodsucker of all time.
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A very insignificant character in the Marvel universe is transformed on the big-screen into a sword-welding, bad-@ss with the fighting skillz that Batman only wishes he possessed. The fight scenes in this movie are a true stand-out for any kind of action movie. Yo, and the story & visuals supercede any comicbook that Blade was ever involved in.
Now this is how all comicbook superhero film adaptations should be approached. (BTW, even tho as a horror movie, I have Blade ranked at #20, as a vampiric bad-ass, Blade definitely rates as #1. So, for any vampires out there reading this, I don't care what your position is in the bloodsuckers' heiarchy, Blade would still kick all yo' asses. Suckas.) ![]() The Mighty Celestial's rating:
Okay,
saying that this is M. Knight Shyamalan's best film (by far) may sound overly obvious (by far), but, it is (by far). ![]() A very good from-the-beyond-yarn that starts out by depicting the debilitating effects that may result from being able to percieve ghosts. Then, almost completely, turns it around to show how this paranormal ability can be more of a help than a hindrance, if we just gave the spooky spectres a chance. Maybe seeing dead people ain't so bad. Though when I think about it, if I had to deal with any kind of communication with lost spirits, I'd rather just stick to commiserating online with all of my fellow "Listalolites" on this site. The Mighty Celestial's rating:
Neil Marshall follows up his directorial debut, Dog Soldiers, with The Descent, a movie that goes about disproving the current popular idea that in order to make a really "good" horror flick, it has to have an incredibly limited budget.
In this one, a group of hot ladies go deep exploring into some dark, damp holes & then go about gettin' themselves eaten. Believe me, it's not as sexy as it may sound. The Mighty Celestial's rating:
Even though I find myself surprised at how much I've been consistantly entertained by the majority of those movies that have been made with the handheld-cam method of filmmaking, I thought for sure that by this point in time, we've pretty much reached the point of exhausting the genre.
Then comes along this movie & shows that in a style of cinema that should've been drained of life by now, when entering the realm of the paranormal, there can still be some signs of activity. ![]() The Mighty Celestial's rating:
Honestly,
I don't know what Carrie's big deal was with the pig's blood an' all. I mean, at least she had a date for the prom. ![]() The Mighty Celestial's rating:
![]() Y'know, the concept of zombies has gotten bogged down with the campiness that has overtaken this horror sub-genre over the years, that the horror aspect seems to have been practically filtered out. And though alot of this may be due to the logistic of being able to easily escape these stumbling monstrocities, the fact is, if anyone reading this actually saw a zombie, they'd still be scared to the point of shittin' out their own skeletons. If at least by the idea that they have born witness to something as "death-defying" as an entity of the "undead". This movie attempts to address these issues by respectfully replacing the idea of rising from the dead more akin to being infected with a rabid mind-devolving plague. And IMO, that's enough to turn the concept of a zombie into a more reality like creature that's pretty damn scary. Especially when added to the fact that they can now move fast enough to actually catch you. The Mighty Celestial's rating:
This movie continues the great tradition begun with Rosemary's Baby, & then masterfully followed up with The Exorcist as the Devil himself is seriously depicted, though never shown, in a manner that is genuinely intended to keep even the most heartily-minded awake at night.
As in those earlier works, in The Omen, Satan is the unseen antagonist who uses a human in the form of a child to dote out his diabolical deeds of death, despair & destruction. ![]() Y'know, for me, there's something about the 70's era that seems to really lend itself to the atmosphere of hellish dread that are these types of films. Maybe it's because since this was the decade in which "movie realism" had finally come to touch the ground (evidenced thru the films of actors like Dustin Hoffman & Al Pacino), the monster genre had really started to become a caricature of itself, many times to the point of being cartoonishliy silly. Therefore, one of the few avenues of true horror left was to those that focused the evil that resulted from the more sins of man, which of course can be personified best by he who most represents it, ol' Lucifer hisself. Or maybe it's just because such evil could only come from the decade that was also responsible for polyster suits, platform shoes & dancing Travolta movies. Whatever the reason, The Omen carries with it a new-found injection of horror that rattled our nerves more on a biblical sense of hopelessness than thru the fear of a Hollywood-spawned rubber-suited creature of which many movie-veiwers had becomed largely desensitized to at this point. The Mighty Celestial's rating:
Tim Burton's has a great style to his movies, but for my money, not usually enough substance. His stories seem to fall shy of completed point (back off, Big Fish & Edward Scissorhand fans! :P).
For me, Sleepy Hollow is the exception. The idea of this movie wasn't one that had any real appeal for me at first , but after viewing it, it turned out to have more in terms of it's story developement & in it's character than I would've expected. I think Mr. Burton, though will always still be considered avante garde (in mainstream terms, that is), would be held in even much higher regard, IMO, if he could flesh out his stories as well as he did for this one. ![]() The Mighty Celestial's rating:
What do you do when the werewolves begin to attack systematically & in packs?
Send in the troops. And then just sit back, and enjoy, as the bullets, blood, big booms & British accents fly ![]() The Mighty Celestial's rating:
![]() Growing up as a kid from Chicago means that an important part of my young viewing habits was the midwestern version of TV horror show called Creature Features. And I always remember how the beginning credits ran with a montage of scenes of some of the most famous black & white horror flicks, including this one. And for me, out of the bunch, the scariest was the image of the Phantom revealing himself for the first time. Even now, whenever I watch this film, I still get a shiver of adrenaline whenever this scene comes on. IMO opinion, the only thing that could be scarier than seeing the face of the Phantom Of The Opera in real life, would be being forced to actually attend an opera. The Mighty Celestial's rating:
I knew that this was gonna be my kind of zombie movie when in one early scene, the main character, Shaun (duh!) said that he still liked Second Coming, the much under-appreciated 2nd. album by the Stone Roses.
After that part, my hairy pimp-ass just sat back into my easy-chair, relaxed, & enjoyed all the thrills, chills & gags. ![]() The Mighty Celestial's rating:
While the shlock that comes with most zombie flicks usually puts me off, Robert Rodriguez's style of depicting his half of The Grindhouse as a caricature of a genre that has already gone cartoonishly over the top, makes this a walking undead gore-a-rama that I could not only stomach, but enjoy as well. Coupled with a modern sense of violence that we've all mindlessly grown to love, it's a zombie action flick of an energetic quality that sparked some life into my usually dead reaction to most shambling corpse fare.
So, if you're into chicks with guns, zombie apocalypeses & amputees (& let's be honest.... who isn't?), then this is the zombie flick for you. ![]() The Mighty Celestial's rating:
![]() There comes a time in every young girl's life when her body starts to give off signs that she's becoming a woman. Or a werewolf. ![]() The Mighty Celestial's rating:
Y'know how when you try to wake up your foot after it's fallen asleep & it then feels like a hundred thin needles piercing thru your flesh?
Raise the level of that feeling from uncomfortable to horrific, add a little razor-wire & an angelic smile, & there you go. You've got this movie. ![]() The Mighty Celestial's rating:
I really liked this movie.
I'd get into more detail why, but right now, I'm in a mood that can best be described as numbingly sunk in a comfortable state of extreme sloth. And if you consider that a sin, well, what are you gonna do about it? Kill me? ![]() The Mighty Celestial's rating:
![]() Okay, let's just forget the vampires in this movie for a second..... Any movie that can feature a Corey in it, let alone two, & still come off as cool, well, that would be a movie that surely had to have been touched by the hand of God. I wouldn't be surprised if the director, Joel Schumacher was actually the Christ in his Second Coming ( I mean seriously.... Jesus did rise from the dead after 3 days, often spoke of drinking his blood, & simple logic would dictate that he would have developed an aversion to wooden crosses.... so, you'know.... it all fits....) The Mighty Celestial's rating:
While I respect George Romero's horror/comedy zombie flix & I understand that there's an audience out there for it, the truth is, I myself have little patience for this specific brand of subgenre.
Therefore, when Zack Snyder came along & redid Dawn with a budget more substantial than what Mssr. Romero is used to, & with a more solid storyline, along with the shlock gage turned down a couple of notches, I found myself actually enjoying watching a film about a subject that beforehand, I had no interest in: a mallful of zombies searching for something to munch on beyond the barriers of the food court. ![]() The Mighty Celestial's rating:
'Ey, considering who the dad of Rosemary's baby is,
does that mean that whenever Rosemary's baby did something good, it would have to be given a time out? ![]() The Mighty Celestial's rating:
Special effects, even in a rudimentary form, started almost as quickly as when the idea of actually making pictures move began. And soon after, follows that when an early film encounters a limited budget, then comes creativity in the form of cinematic expressionism.
And in the beginning of the twenties, that creativity came nicely boxed in the form of a cabinet (or, to keep in tune more with this story, an insane asylum. Cabinet, insane asylum, in the realm of artistic expression, they're all the same). One of the first movies to start using film to the level of potential that the medium allows. Surreal, distorted, disturbing, and in my opinion, particularly for it's time, it's was pretty cool as hell. ![]() The Mighty Celestial's rating:
What does a chainsaw sound like when it's used as a weapon to slice open a demon-possessed zombie?
"Gorrrrre!!" ![]() The Mighty Celestial's rating:
![]() As a comicbook nerd, I first became aware of Coraline as a graphic novel written by comicbook writer Neil Gaiman (though, it's original format of release is as a novella). It's horror fantasy for young readers and as a film, it's a fine modern update of the Alice In Wonderland theme, with it's mixed ingredients of creative psychodelica, slightly edged childlike wonder, along with a nice dash of horror, but just enough to gurgitate a lump of fear in the throat of the kiddie audience within its targeted age. But not so much that it would scare any of it's viewers to the point of absolving their parents of any responsibility for any trauma that might lead 'em up to the top of a building with a sniper gun, later on in life. Hopefully. The Mighty Celestial's rating:
What dreams may come from the imagination of a little girl. Especially when those dreams can become reality. First on paper, then into the world of the awakened.
![]() This is a movie that I don't actually recall when it first came out, but whenever I mention it to anybody around me, most of them tend to respond with "Oh that's right, I remember that....". Paperhouse turned out to be a pleasant surprise for me & a good example of the best thing that can happen when going about these types of movie-viewing marathons. Though the ending doesn't seem to come together as well as a majority of the first part of the story, over-all, I really liked the sparse fantasy element of the film, the way the sleep sequences are interwoven with the main character's life situation, & the slow build-up that starts out from a young girl's dreams & then leads into the fears of her nightmares. The Mighty Celestial's rating:
![]() Is it a Halloween movie with a Christmas twist, or a Christmas movie with a Halloweenic slant? Or is it both? For me, I look at it like discovering that your trick-or-treat bag has been filled with presents instead of candy. And no rocks. Well, maybe one coal. IMO, the best thing by far to have Tim Burton's name on it. Such a great cast of creative & endearingly maniacal characters. Innocent enough for kids who can still see the world thru bushy-tailed bright-eyed glasses, yet twistedly dark enough to keep the interests of those of us adults who've had that part of our spirits crushed a long time ago. An inter-holiday movie for all ages on either side of the perspective spectrum. The Mighty Celestial's rating:
A small group of professional asbestos removers find out what can be even scarier than having a job as asbestos-removers:
"cleaning out" an old abandoned mental state hospital, where the walls have a tendency to whisper out your name & old patient session tapes that reveal the darkness that lays not only within those same walls, but also the darkness that dwells within your soul. Ooooo.... scary.... The Mighty Celestial's rating:
Even though the ending was in keeping with the book, for me, it just came off as too forced & felt more like negative just soley for the sake of negatism. Which I know wasn't the original intention of the book, still came off like that on the big screen.
If it weren't for that, this otherwise great movie would've definitely made it up higher on my list, not just a solid piece of horror cinema, but also as one of the better film adaptations of Stephen Kings works in this particular genre. ![]() The Mighty Celestial's rating:
How do you get a former priest whose lost his faith to "open his eyes" & believe again?
Try sending down an alien or two to start forming big ol' circles in his crops. ![]() The Mighty Celestial's rating:
An orphanage-turned-family-household begins to show signs of a haunting after an adopted orphan dissappears, leaving his adopted mother on a quest that will result in either solving the mystery of her son's dissappearance, or lead her down a cryptic road to madness.
![]() A film that's so Guillermo-Del-Toroesque, that it comes off almost exactly like a Guillermo Del Toro film. And surprise, surprise, even though it was neither written or directed by Señor Del Toro, he did pick it up as producer (the script was from the hand of Sergio G. Sánchez & the film was directed by Juan Antonio Bayona). However, let it be known that making such a comparison is not any kind of accusation of imitation, but more of a compliment to all those involved in making this creepy entertaining ghost tale which gears itself towards those viewers who are armed with an attention span. The Mighty Celestial's rating:
In this family, dysfunctionality is a form of functionality.
Stretching mom out on a torture rack or throwing the baby out of a third story window is simply a way of communicating "You're okay, I'm okay". And one of the advantages that comes with having the last name of Addams is that, no matter how many family-friendly games of tag you play, your cousin will always be Itt. ![]() The Mighty Celestial's rating:
![]() Christopher Walken with a superpower other than his mad acting skillz, yo. Or his dancing ability. ... yo. The Mighty Celestial's rating:
![]() Tho the animation in Monster House doesn't have the chance to get as creative as comp.-animated movies that focus on non-human subjects, they do very well with what they have. The facial expressions are choice quality & the movements during the action sequences are both smooth & dynamic. For what it is, the story is well done, the characters are engaging & the action scenes are very high in the area of thrill. Even tho the animation in this film doesn't have the chance to get as creative as other comp.-animated movies of this generation & that focus on non-human subjects, this movie does very well with what it has. The facial expressions are choice quality & the movements during the action sequences are both smooth & dynamic. While there have been many animated films that have come along that look "better", this one for me, is one of the rare ones that have the whole package. The story is does not insult the intelligence despite being based on a child-based fantasy genre, the characters are distinguishly engaging, & the action scenes are very high in the area of thrill. Monster House flows with the same roller-coaster ride that was felt with some of those high quality Spielberg-ish action flicks of the 80's. The Mighty Celestial's rating:
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Even though this is a list of my favorite horror movies of all time, let me first say that movies don't "scare" me very easily. A few did when I was a kid, but not anymore now as an adult. Therefore, I rarely watch "scary" movies with the idea that I'm going to get frightened in any way. These days, I just judge 'em based more on the quality of entertainment that I get from the story, art direction, acting, blah blah blah.... While I'm listing these movies as my top fave horror flix, I use the term "horror" only as the genre to which these movies are categorized, and not in a way that it would, later on as I slept, influence any of my dreams to take on the form of a nightmare in which I would end up screaming myself awake (though, I wish that would be an after affect, just for the humor that it would provide me in watching my girlfriend get startled to the point where she'd sh#t out her own skeleton. That would be funny as hell). That is why I used the term "horror-themed movies" instead of "horror movies" in describing this list. Because as the list progresses, the horror in these flicks becomes more thematic than what the movies actually is, particularly from #20 & on. ![]() Runners up: - The Exorcism Of Emily Rose - Trilogy Of Terror - The Mothman Prophecies Other lists by The Mighty Celestial: Yep. When It Comes To Comicbook Movies .... http://www.listal.com/list/yep-am-huge-comicbook My Top 20 Female Movie Bad-Asses http://www.listal.com/list/my-top-10-female 10 Movies That Feature A Dancin' Travolta In 'Em http://www.listal.com/list/my-list-9158 WAATAAAH!! My Top 10 Favorite Martial Arts Flix! http://www.listal.com/list/my-list-thecelestial The Final Frontier Of Space... & Time. My Top 50 Favorite Sci-Fi Flix Ever http://www.listal.com/list/final-frontier-space-time Can't We Be Dysfunctional Like A Normal Family? http://www.listal.com/list/dysfunctional-family-movies/edit Top Ten Favorite Movies By Year Lists: http://www.listal.com/list/19551959-my-top-ten-favorite http://www.listal.com/list/1976-my-top-ten-favorite http://www.listal.com/list/1982-my-top-ten-favorite http://www.listal.com/list/1983-my-top-ten-favorite http://www.listal.com/list/1984-my-top-ten-favorite http://www.listal.com/list/1992-my-top-ten-favorite http://www.listal.com/list/1993-my-top-ten-favorite http://www.listal.com/list/1995-my-top-ten-favorite http://www.listal.com/list/1997-my-top-ten-favorite http://www.listal.com/list/1998-my-top-ten-favorite http://www.listal.com/list/1999-my-top-ten-favorite http://www.listal.com/list/2003-my-top-ten-favorite http://www.listal.com/list/2004-my-top-ten-favorite http://www.listal.com/list/2005-my-top-ten-favorite http://www.listal.com/list/2007-my-top-ten-favorite http://www.listal.com/list/2008-my-top-ten-favorite
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