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When Broadway sensations May Irwin and John Rice's notorious lip lock was immortalized on film, people were shocked!
Even in 1915, D.W. Griffith's Civil War epic caused a stir for its stereotypical depiction of African-Americans.
The scars of WWI were still fresh when this Oscar-winning anti-war movie drew fire for portraying young German soldiers in a sympathetic light.
Though its sympathies were with the sideshow performers, this circus drama was criticized for casting real-life "human oddities.
Howard Hawks' classic was banned in several states despite pre-release changes designed to counter claims that it glorified gangsters.
Americans were shocked by the nudity and sexual frankness of this Czech drama about an unhappy wife searching for fulfillment.
Often called the most powerful propaganda movie of all time, Leni Riefenstahl's gorgeous documentary glorified Nazi ideals and iconography.
This exploitation 'road-show' shocker was promoted as educational, although its underage nude swimming scene was considered offensive.
Critics loved it, but media mogul W. R. Hearst -- the inspiration for Kane -- used his influence to discredit Orson Welles' groundbreaking movie.
Busty starlet Jane Russell's breasts cast a long shadow over this erotically-charged Western, outraging guardians of public decency.
Never available on video or DVD in the US, Disney's charming animated take on Southern folklore was tainted by its live-action sequences depicting happy slaves.
Well-bred people in the 1950s didn't use words like "virgin," "seduce" and "mistress" in public, but this mild sex farce did and became a cause celebre.
The Catholic Legion of Decency condemned Tennessee Williams' lurid tale of a thumb-sucking child bride and the men who lusted for her.
British critics called Michael Powell's disturbing thriller about a tormented murderer perverted, necrophilic and trashy; his career never recovered.
Viewers accustomed to Hitchcock's polished Technicolor thrillers were stunned by this B&W shocker that dared to kill star Janet Leigh before the halfway mark.
Homosexuality was still a criminal offense in England when this thriller dared to take the side of gay men victimized by ruthless blackmailers.
Luis Bunuel's surreal masterpiece was widely condemned for its suggestions of incest, rape and necrophilia.
Stanley Kubrick played up the dark humor in Nabokov's novel about a middle-aged man infatuated with a pubescent girl, but the subject was still a shocker.
This Italian shockumentary was castigated for exploiting footage of lurid cultural practices from around the world.
One of the most stylistically influential movies of the '70s was accused of glamorizing Depression-era bank robbers Bonnie Parker and Clyde Barrow.
This avant-garde mockumentary about '60s youth was condemned as pornographic, even though it's more about political protests than free love.
Frederick Wiseman's disturbing documentary exposed abuse in mental institutions, but its unflinching footage of patients was called insensitive.
The National Catholic Office for Motion Pictures reviled Polanski's dark horror classic for mocking religion and making "perverted use" of Christian beliefs.
The only X-rated Best-Picture winner, this gritty movie discomfited some viewers with its frank, non-judgmental depiction of homosexuality.
Sam Peckinpah's movie was both praised for its realistic vision of the dying West and lambasted for its graphic portrayal of savagely explicit violence.
Moviegoers expecting to be titillated were taken aback by this drama's raw, taboo-breaking examination of misogyny and dysfunctional relationships.
The second (and last) X-rated Best-Picture nominee, Stanley Kubrick's evocation of a dystopian future appalled some viewers with its ultra-violence.
Ken Russell's historical drama about womanizing priests, sex-crazed nuns, hypocrisy and hysteria in 17th-century France was banned in deeply Catholic Italy.
Was San Francisco cop Harry Callahan's contempt for modern criminal-justice protocols a liberal critique of vigilantism or reactionary propaganda? Debate raged.
Obscene or mature? Peter Bogdanovich's melancholy look at adultery, alcoholism and promiscuity in 1950s Texas divided moviegoers and critics.
A graphic double rape and its aftermath made Sam Peckinpah's movie about a mild-mannered mathematician driven to explosive violence a hot-button topic.
Violent, politically radical and sexually transgressive, Melvin Van Peebles' indie movie reflected the simmering rage of disillusioned African-Americans.
The dirty movie that ushered in "porno chic," Deep Throat sparked heated debate and precedent-setting court cases that challenged assumptions about obscenity.
Wes Craven transformed Ingmar Bergman's The Virgin Spring, a fable about rape, revenge and redemption, into a crude, taboo-breaking shocker.
Art or pornography: That was the question raised by Bernardo Bertolucci's juxtaposition of lust and despair, starring Hollywood icon Marlon Brando.
Cult provocateur John Waters used bizarre, crude, tasteless and sexually grotesque images to challenge cultural mores in his first feature.
The sight of 13-year-old Linda Blair vomiting, swearing and abusing herself with a crucifix horrified a broad swath of moviegoers and critics.
Disenfranchised rural cannibals slaughter soft city folks in the first "meat movie," a horror tale rooted in realistic violence and social malaise.
A US distributor added hardcore inserts to Bo Vibenius' grim rape-revenge movie, and the combination of porn and violence confused and angered moviegoers.
Inspired both by art-house sensation The Night Porter (1974) and real-life "Bitch of Buchenwald" Ilse Koch, this sex/torture movie spawned a wave of "nasty Nazi" movies.
Hired to make a soft-focus, sexy-teen movie, French filmmaker Catherine Breillat instead delivered an explicit evocation of disturbing desires.
Radical Italian artist Pier Paolo Pasolini's movie equated fascism and sexual torture, and its graphic images aroused outrage and disgust.
Women Against Pornography unwittingly raised this ugly horror movie's profile by denouncing its relentless, misogynistic violence.
Nagisa Oshima's graphic examination of all-consuming sexual obsession was seized by US Customs and cut before being released.
Though this epic biopic deferred to Islamic law by never showing Mohammed, it was still condemned as sacrilegious and banned in many Arab countries.
Tacking a cynical "real" murder sequence onto a ho-hum exploitation movie generated enough media outrage to make Snuff a lucrative hit.
Michael Cimino's depiction of friendships tested by the horrors of Vietnam won a Best-Picture Oscar, despite accusations of historical inaccuracy and racism.
The fact that it was "banned in 40+ countries" was a selling point for this morbid collection of death scenes, some real and some fake.
Vilified as a misogynistic wolf in faux-feminist clothing, this rape-revenge movie so incensed critics Roger Ebert and Gene Siskel that they tried to have it pulled from theaters.
Louis Malle's decision to cast 12-year-old Brooke Shields as an underage New Orleans prostitute struck many as verging on child exploitation.