Favorite Woody Allen Film Quotes
681 7.7 7.91. Hannah and Her Sisters (1986)
"One day about a month ago, I really hit bottom. Ya know I just felt that in a Godless universe I didn't wanna go on living. Now I happen to own this rifle, which I loaded believe it or not, and pressed it to my forehead. And I remember thinking, I'm gonna kill myself. Then I thought, what if I'm wrong, what if there is a God. I mean, after all nobody really knows that. Then I thought no, ya know maybe is not good enough, I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
All of a sudden the gun went off. I had been so tense my finger squeezed the trigger inadvertantly. But I was perspiring so much the gun had slid off my forehead and missed me. Suddenly neighbors were pounding on the door, and I dunno the whole scene was just pandemonium. I ran to the door, I didn't know what to say. I was embarrassed and confused and my mind was racing a mile a minute. And I just knew one thing I had to get out of that house, I had to just get out in the fresh air and clear my head.
I remember very clearly I walked the streets, I walked and I walked I didn't know what was going through my mind, it all seemed so violent and unreal to me. I wandered for a long time on the upper west side, it must have been hours. My feet hurt, my head was pounding, and I had to sit down I went into a movie house. I didn't know what was playing or anything I just needed a moment to gather my thoughts and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and the movie was a film that I'd seen many times in my life since I was a kid, and I always loved it. I'm watching these people up on the screen and I started getting hooked on the film.
I started to feel, how can you even think of killing yourself, I mean isn't it so stupid. Look at all the people up there on the screen, they're real funny, and what if the worst is true. What if there is no God and you only go around once and that's it. Well, ya know, don't you wanna be part of the experience? You know, what the hell it's not all a drag. And I'm thinking to myself, Jeez, I should stop ruining my life searching for answers I'm never gonna get, and just enjoy it while it lasts. And after who knows, I mean maybe there is something, nobody really knows. I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then I started to sit back, and I actually began to enjoy myself."
1746 8.1 8.22. Annie Hall (1977)
"A relationship, I think, is like a shark. You know? It has to constantly move forward or it dies. And I think what we got on our hands is a dead shark."
"I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable."
"There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly. The... the other important joke, for me, is one that's usually attributed to Groucho Marx; but, I think it appears originally in Freud's "Wit and Its Relation to the Unconscious," and it goes like this - I'm paraphrasing - um, "I would never want to belong to any club that would have someone like me for a member." That's the key joke of my adult life, in terms of my relationships with women."
"After that it got pretty late, and we both had to go, but it was great seeing Annie again. I... I realized what a terrific person she was, and... and how much fun it was just knowing her; and I... I, I thought of that old joke, y'know, the, this... this guy goes to a psychiatrist and says, "Doc, uh, my brother's crazy; he thinks he's a chicken." And, uh, the doctor says, "Well, why don't you turn him in?" The guy says, "I would, but I need the eggs." Well, I guess that's pretty much now how I feel about relationships; y'know, they're totally irrational, and crazy, and absurd, and... but, uh, I guess we keep goin' through it because, uh, most of us... need the eggs."
470 7.7 7.73. Love and Death (1975)
"The question is have I learned anything about life. Only that human beings are divided into mind and body. The mind embraces all the nobler aspirations, like poetry and philosophy, but the body has all the fun. The important thing, I think, is not to be bitter... if it turns out that there IS a God, I don't think that he's evil. I think that the worst you can say about him is that basically he's an underachiever. After all, there are worse things in life than death. If you've ever spent an evening with an insurance salesman, you know what I'm talking about. The key is, to not think of death as an end, but as more of a very effective way to cut down on your expenses. Regarding love, heh, what can you say? It's not the quantity of your sexual relations that counts. It's the quality. On the other hand if the quantity drops below once every eight months, I would definitely look into. Well, that's about it for me folks. Goodbye."
"To love is to suffer. To avoid suffering, one must not love. But then, one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy, one must love or love to suffer or suffer from too much happiness. I hope you're getting this down."
267 7.5 7.24. Stardust Memories (1980)
"I took one course in existential philosophy at, uh, at New York University, and on, uh, on the final... they gave me ten questions, and, uh, I couldn't answer a single one of 'em. You know? I left 'em all blank... I got a hundred."
"You can't control life. It doesn't wind up perfectly. Only-only art you can control. Art and masturbation. Two areas in which I am an absolute expert."
"Just a little while back, just before I died in fact. I was on the operating table and I was searching to try to find something to hang onto, you know, cause when you're dying your life really does become very authentic and I was reaching for something to give my life meaning and a memory flashed through my mind: It was one of those great spring days, it was Sunday, and you knew summer would be coming soon. And I remember that morning Dorrie and I had gone for a walk in the park and come back to the apartment. We were just sort of sitting around and I put on a record of Louie Armstrong which was music I grew up with and it was very, very pretty, and I happened to glance over and I saw Dorrie sitting there. And I remember thinking to myself how terrific she was and how much I loved her. And I don't know, I guess it was a combination of everything, the sound of the music, and the breeze, and how beautiful Dorrie looked to me and for one brief moment everything just seemed to come together perfectly and I felt happy, almost indestructible in a way. It's funny, that simple little moment of contact moved me in a very, very profound way."
527 7.5 85. Crimes and Misdemeanors (1989)
"Last time I was inside a woman was when I visited the Statue of Liberty."
"You will notice that what we are aiming at when we fall in love is a very strange paradox. The paradox consists of the fact that, when we fall in love, we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand, we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us. So that love contains in it the contradiction: The attempt to return to the past and the attempt to undo the past."
"He left a note. He left a simple little note that said "I've gone out the window." This is a major intellectual and he leaves a note that says "I've gone out the window." He's a role-model. You'd think he'd leave a decent note."
"Where I grew up in Brooklyn, we were too unhappy to commit suicide."
1283 8 86. Manhattan (1979)
"Chapter One: He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over...
Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street smart guys who seemed to know all the angles. Ah, corny, too corny for, you know, my taste. Let me, let me try and make it more profound...
Chapter One: He adored New York City. To him it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in - no, it's gonna be too preachy, I mean, you know, let's face it, I wanna sell some books here...
Chapter One: He adored New York City. Although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage - too angry. I don't want to be angry...
Chapter One. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat. Oh, I love this. New York was his town, and it always would be."
"You know what you are? You're God's answer to Job, y'know? You would have ended all argument between them. I mean, he would have pointed to you and said, y'know, "I do a lot of terrible things, but I can still make one of these." You know? And then Job would have said, "Eh. Yeah, well, you win."
254 7.3 7.67. Play It Again, Sam (1972)
'Allen: That's quite a lovely Jackson Pollock, isn't it?
Woman: Yes, it is.
Allen: What does it say to you?
Woman: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of man forced to live in a barren, godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror, and degradation, forming a useless, bleak straitjacket in a black, absurd cosmos.
Allen: What are you doing Saturday night?
Woman: Committing suicide.
Allen: What about Friday night?'
527 7.8 7.78. Zelig (1983)
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