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on 12 Feb 2009 12:47

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Academy Award For Best Cinematography

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428

8.6

8.3

1. Sunrise (1927)

1928 - Charles Rosher and Karl Struss

NOMINEES:
* George Barnes - The Devil Dancer
* George Barnes - The Magic Flame
* George Barnes - Sadie Thompson

2. White Shadows in the South Seas (1928)

1929 - Clyde DeVinna

NOMINEES:
* John F. Seitz - The Divine Lady
* Ernest Palmer - 4 Devils
* Arthur Edeson - In Old Arizona
* George Barnes - Our Dancing Daughters
* Ernest Palmer - Street Angel

7.1

3. With Byrd at the South Pole (1930)

1930 - Joseph T. Rucker and Willard Van Der Veer

134

7.6

4. Tabu (1931)

1931 - Floyd Crosby

129

7.6

7.5

5. Shanghai Express (1932)

1932 - Lee Garmes

6.8

6.6

6. A Farewell to Arms (1932)

1933 - Charles Bryant Lang. Jr

7.3

6.9

7. Cleopatra (1934)

1934 - Victor Milner

6.7

6.9

8. A Midsummer Night's Dream (1935)

1935 - Hal Mohr

Note: This was and still is the only time in the history of the Academy Awards that a write-in candidate won in any category: Mohr had not been nominated by his fellow cinematographers, but won the award on the strength of an overwhelming write-in campaign by the full membership.

AFIoscar's rating:

7.5

6.6

9. Anthony Adverse (1936)

1936 - Tony Gaudio

7.1

7.7

10. The Good Earth (1937)

1937 - Karl Freund

6.6

11. The Great Waltz (1938)

1938 - Joseph Ruttenberg

320

7.4

7.7

12. Wuthering Heights (1939)

1939 (B&W) - Gregg Toland

1954

7.8

8.2

13. Gone with the Wind (1939)

1939 (Color) - Ernest Haller and Ray Rennahan

AFIoscar's rating:

858

8.3

14. Rebecca (1940)

1940 (B&W) - George Barnes

7.5

7.6

15. The Thief of Bagdad (1940)

1940 (Color) - George Perinal

AFIoscar's rating:

208

7.6

7.8

16. How Green Was My Valley (1941)

1941 (B&W) - Arthur C. Miller

7.2

6.8

17. Blood and Sand (1941)

1941 (Color) - Ernest Palmer and Ray Rennahan

109

7.7

7.6

18. Mrs. Miniver (1942)

1942 (B&W) - Joseph Ruttenberg

7.5

19. The Black Swan (1942)

1942 (Color) - Leon Shamroy

7.9

7.4

20. The Song of Bernadette (1943)

1943 (B&W) - Arthur C. Miller

AFIoscar's rating:

105

6.6

6.5

21. Phantom of the Opera (1943)

1943 (Color) - Hal Mohr and W. Howard Greene

340

7.8

8.1

22. Laura (1944)

1944 (B&W) - Joseph LaShelle

AFIoscar's rating:

7.6

6.8

23. Wilson (1944)

1944 (Color) - Leon Shamroy

141

7.1

7.6

24. The Picture of Dorian Gray (1945)

1945 (B&W) - Harry Stradling

108

7.9

7.6

25. Leave Her to Heaven (1945)

1945 (Color) - Leon Shamroy

6.6

26. Anna and the King of Siam (1946)

1946 (B&W) - Arthur C. Miller

AFIoscar's rating:

6.7

7.2

27. The Yearling (1946)

1946 (Color) - Charles Rosher, Leonard Smith and Arthur Arling

AFIoscar's rating:

247

7.7

28. Great Expectations (1946)

1947 (B&W) - Guy Green

AFIoscar's rating:

247

7.8

7.9

29. Black Narcissus (1947)

1947 (Color) - Jack Cardiff

AFIoscar's rating:

7.4

7.7

30. The Naked City (1948)

1948 (B&W) - William H. Daniels

AFIoscar's rating:

6.4

31. Joan of Arc (1948)

1948 (Color) - Joseph Valentine, William V. Skall and Winton Hoch

7.7

7.5

32. Battleground (1949)

1949 (B&W) - Paul C. Vogel

AFIoscar's rating:

118

7.3

33. She Wore a Yellow Ribbon (1949)

1949 (Color) - Winton Hoch

786

8.2

8.4

34. The Third Man (1949)

1950 (B&W) - Robert Krasker

NOMINEES:
o All About Eve (1950) - Milton R. Krasner
o Asphalt Jungle, The (1950) - Harold Rosson
o Furies, The (1950) - Victor Milner
o Sunset Blvd. (1950) - John F. Seitz

7.1

6.9

35. King Solomon's Mines (1950)

1950 (Color) - Robert Surtees

NOMINEES:
* Annie Get Your Gun (1950) - Charles Rosher
* Broken Arrow (1950) - Ernest Palmer (I)
* Flame and the Arrow, The (1950) - Ernest Haller
* Samson and Delilah (1949) - George Barnes (I)