Description
John Sayles tackles one of his most provocative projects in Silver City, a broadside on politics and campaigning. It's one of Sayles's multi-character tapestries, set during a tarnished governor's race in Colorado. Chris Cooper has kicky fun as a feather-brained candidate, whose nonsensical speeches deliberately evoke the 43rd U.S. presi
John Sayles tackles one of his most provocative projects in Silver City, a broadside on politics and campaigning. It's one of Sayles's multi-character tapestries, set during a tarnished governor's race in Colorado. Chris Cooper has kicky fun as a feather-brained candidate, whose nonsensical speeches deliberately evoke the 43rd U.S. president. He doesn't get nearly enough screen time, because the film follows a burned-out private detective (the awkward Danny Huston) as he tugs at conspiracies. Sayles's understanding of the connected relationships in the political world is keen, and his malignant ending scores points--though the issues are more convincing than the characters. A subplot romance between Huston and journalist Maria Bello is tired, and there's a rushed quality that undercuts the political barbs. The crowded cast helps it perk along. This is a companion piece to Sayles's City of Hope and Sunshine State, and proves his teeth are only getting sharper. --Robert Horton
Description
Grammatically challenged, user friendly gubernatorial candidate Dicky Pilager has just launched a rosy campaign for the citizens of the New West. But things take an unexpected turn when the taping of an environmental political ad ends up with Pilager reeling in a corpse. Enter his ferocious campaign manager, Chuck Raven who hires idealistic journalist turned rumpled private detective Danny O'Brien to investigate potential links between the corpse and the Pilager family's enemies. In the tradition of the great films noir, Danny's investigation pulls him deeper and deeper into a complex web of influence and corruption, involving high stakes lobbyists, media conglomerates, environmental, plunderers, and undocumented migrant workers. Written and directed by John Sayles
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