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Maverick film director Samuel Fuller was doing some of his best work in the late 1950s and early 1960s, and in the years since its release in 1963, Shock Corridor has become a B-movie classic and a prime example of Fuller's gritty tabloid style. Never hesitant to explore the darkened corners of contemporary life, Fuller depicts I
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Maverick film director Samuel Fuller was doing some of his best work in the late 1950s and early 1960s, and in the years since its release in 1963, Shock Corridor has become a B-movie classic and a prime example of Fuller's gritty tabloid style. Never hesitant to explore the darkened corners of contemporary life, Fuller depicts the chambers of an insane asylum as a microcosm of American society, telling the story of a cynical, ambitious journalist (Peter Breck) whose obsessive quest for a Pulitzer Prize leads him into the depths of madness. To investigate a murder, the reporter goes undercover in a mental hospital, having convinced a psychiatrist that he needs treatment. Once inside the asylum, he pieces together clues to the murder, but his own mind begins to deteriorate until he's trapped in a downward spiral towards insanity. Fuller heightens the melodrama with his aggressive style of filmmaking (his next film, The Naked Kiss, proved even more effective), and his imaginative use of black-and-white cinematography (by noted cameraman Stanley Cortez) fills the movie with raw, emotional power. It's the kind of film one would expect from a rebellious director on the Hollywood fringe, and that's why Shock Corridor remains an enduring low-budget examination of the "rat race" and the consequences of pursuing success at any cost. The Criterion Collection DVD presents the film in its original 1.85:1 aspect ratio, and a rarely seen color dream sequence has been fully restored. --Jeff Shannon
"In Shock Corridor, the great American writer-director-producer Samuel Fuller masterfully charts the uneasy terrain between sanity and madness. Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, insanity closes in on him. Constance Towers costars as Johnny’s coolheaded stripper girlfriend. With its startling commentary on racism and other hot-button issues in sixties America and its d"
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CRITERION DVD