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A neatly enjoyable thriller in the pseudo-Hitchcock mode, Niagara offers great fun on a variety of levels. It has film noir themes (albeit in Technicolor), oodles of location shooting, and Freudian symbolism run amok. And, of course, it has Marilyn Monroe as an unbelievably ripe femme fatale: married to unstable hubby Joseph Cot0
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A neatly enjoyable thriller in the pseudo-Hitchcock mode, Niagara offers great fun on a variety of levels. It has film noir themes (albeit in Technicolor), oodles of location shooting, and Freudian symbolism run amok. And, of course, it has Marilyn Monroe as an unbelievably ripe femme fatale: married to unstable hubby Joseph Cotten and stuck in a cabin at Niagara Falls, she plots a watery escape. Jean Peters (a future Mrs. Howard Hughes) and froggy husband Casey Adams are dragged into the intrigue during their delayed honeymoon. Veteran open-air director Henry Hathaway squeezes the most out of the spectacular scenery and the nail-biting climax, slowing down only for traveloguey interludes; the dialogue, pretty racy for 1953, comes from the civilized pen of producer-writer Charles Brackett (Billy Wilder's longtime partner). The baby-doll murmuring and lazy lounging in motel bed sheets is, well, all Marilyn. --Robert Horton
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