Description
DescriptionWhen a priceless Rembrandt is stolen in New York, the evidence points to a solitary master thief (Connery), who is about to meet the insurance company's most cunning - and seductive - investigator (Zeta-Jones). Following a nerve-racking game of cat and mouse, the two join forces, or so it seems, to attempt a daring multibilli
Description
When a priceless Rembrandt is stolen in New York, the evidence points to a solitary master thief (Connery), who is about to meet the insurance company's most cunning - and seductive - investigator (Zeta-Jones). Following a nerve-racking game of cat and mouse, the two join forces, or so it seems, to attempt a daring multibillion-dollar heist tied to the dawn of the new millennium.
Sean Connery plays a master thief thought to be long retired, while Katherine Zeta-Jones is his foil, a hotshot insurance investigator assigned to his case. They both have a little something to hold over each other's heads, until it turns out that Zeta-Jones is a professional art thief herself and is playing on both sides of the fence. At first they eye each other with mutual distrust until they team up for a job, which goes off without a hitch. Inevitably their prickly relationship begins to thaw somewhat, and the two become attracted to each other as they plan out the massive Y2K bank scam that is the movie's climax (complete with sequel-ready ending). Entrapment plays somewhat like a '70s caper movie revamped for the gadget-happy high-tech '90s. The plot takes a few too many labored twists and turns, and the chemistry between the two leads is nearly nonexistent, though both carry on gamely in their parts. On the other hand, there is some genuine suspense in many scenes as they go about their business, dripping with whiz-bang burglary devices. Zeta-Jones, of course, is drop-dead gorgeous, and Connery is as reliable as always in his role. The fairly flat editing and direction tends to drag the film down somewhat, but fans of caper movies, high-tech thrillers, and the two leads should find plenty to like in this film. --Jerry Renshaw
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