Description
DescriptionLondon's become a small town for a handful of jaded psychedelic-era hipsters. But Johnny Alucard has a groovy new way for his pals to get their kicks. A certain ritual will be the living end, he insists. And if you still wonder where Johnny's coming from, try spelling his last name backwards. Dracula is raised into the modern
Description
London's become a small town for a handful of jaded psychedelic-era hipsters. But Johnny Alucard has a groovy new way for his pals to get their kicks. A certain ritual will be the living end, he insists. And if you still wonder where Johnny's coming from, try spelling his last name backwards. Dracula is raised into the modern era in this Hammer Studios shocker that's "quite well done" (John Stanley, Creature Features). Christopher Lee dons the cape for the sixth time and seeks out fresh victims. As archnemesis Van Helsing, fellow horror legend Peter Cushing clutches a vial of holy water and edges within throwing distance. Their harrowing battle royale is not to be missed. In fact, it's the living end. Director: Alan Gibson Starring: Peter Cushing, Christopher Lee, Stephanie Beacham
It was only a matter of time before Christopher Lee's Dracula visited Swinging London, arriving fashionably late for the party in 1972. In Dracula A.D. 1972, Count D was dispatched in the 19th century with a carriage-wheel spoke. The vampire's ashes and fancy ring are handed down to a young Londoner named Johnny Alucard (Christopher Neame) who looks as though he's seen A Clockwork Orange too many times. Proposing that his hippie posse look for new kicks ("yet as old as time"), he holds a Black Mass and summons you-know-who. Peter Cushing joins Lee yet again; luscious Stephanie Beacham, in an amazing shag haircut and purple velvet, is Cushing's granddaughter. She considers grandpa's scientific interests "way out," but then again, their last name is Van Helsing.. The time-period switch makes the grooviness seem laughable, although otherwise this is an acceptable outing, especially for Lee's suave, overtly sexual take on the role. It was his penultimate entry in the Hammer Dracula series, and is certainly better than the finale, The Satanic Rites of Dracula. --Robert Horton
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4 votes
Hammer Horror
(28 items) by coyoteblue
Last updated 9 months, 1 week ago
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