The first third of La Belle et La Bete may seem a little too long and a little too slow, but the film still has the power to cast its spell over an audience. At times, perhaps from a modern viewer's perspective, you find yourself admiring the technique a little more than its soul, and Jean Marais' performance as the Beast strangely pales compared to his two-faced suitor, but then he was never exac... read more
Description:T
T
This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-anT
T
This is definitely not the Disney version. While it remains faithful to the plot of the classic fairy tale by Leprince de Beaumont, Jean Cocteau's 1946 French romantic fantasy is the product of a sophisticated, mature sensibility in its tones and textures and, above all, in its surprising emotional power. With sparkling black-and-white imagery that, for once, is actually dreamlike rather than cute or kitschy, and with a Beast (Jean Marais) who is almost as glamorous with his silky blonde facial hair as he is clean shaven, the movie casts a seductive spell. It might actually be a little too rich and unsettling for kids. Even the costumes and the draperies are entrancingly ornate. Viewers intoxicated by this enveloping vision should consider moving on to Cocteau's even more aggressively other-worldly 1949 masterpiece Orpheus, in which Marais plays the doomed poet of ancient Greek legend, updated to a Parisian "punk" milieu of motorcycles and black leather. --David Chute
“The first third of La Belle et La Bete may seem a little too long and a little too slow, but the film still has the power to cast its spell over an audience. At times, perhaps from a modern viewer's perspective, you find yourself admiring the technique a little more than its soul, and Jean Marais' performance as the Beast strangely pales compared to his two-faced suitor, but then he was never exactly a great actor. Yet the complexity that Cocteau manages to bring to the film is still surprising, with neither the brother nor suitor descending to the easy caricature of the two ugly sisters: the former knows he and his sisters are wastrels, but that doesn't make him less of a liability, while the latter is almost in denial of his own nature. But ultimately it's the magical design that seduces” read more
NMartucci added this to a list 1 year, 5 months ago
"Jean Cocteau’s sublime adaptation of Mme. Leprince de Beaumont’s fairy-tale masterpiece—in which the pure love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark of motion picture fantasy, with unforgettably romantic performances by Jean Marais and Josette Day. The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder."
anna kristina added this to a list 1 year, 9 months ago