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Having scored a critical triumph with Mean Streets, Martin Scorsese accepted Alice Doesn't Live Here Anymore as his first big-studio assignment, proving his versatility and further advancing his promising career. Hot off The Exorcist with her choice of projects at Warner Brother
Having scored a critical triumph with Mean Streets, Martin Scorsese accepted Alice Doesn't Live Here Anymore as his first big-studio assignment, proving his versatility and further advancing his promising career. Hot off The Exorcist with her choice of projects at Warner Brothers, Ellen Burstyn sought a hot young talent (Scorsese was recommended by Francis Coppola) to direct Robert Getchell's fine, sensitive screenplay about Alice Wyatt, a newly-widowed 35-year-old lounge singer with a bratty 12-year-old son (Alfred Lutter) and a very uncertain future. Her pursuit of broken dreams lands her a waitressing job in an Arizona diner, where she befriends foul-mouthed Flo (Diane Ladd) and meets and falls in love with a divorced farmer (Kris Kristofferson). With absolute authenticity of emotion and incident, Alice--which earned Burstyn a well-deserved Oscar® and features supporting roles for future Taxi Driver costars Jodie Foster and Harvey Keitel--conveys a then-timely sense of strength and endurance from a single mother in desperate times. There have been several similar dramas made since 1974, but Alice (which inspired the popular TV sitcoms Alice and Flo) is still the best. Trivia buffs: Look closely for Ladd's daughter--a very young Laura Dern--and Scorsese as background extras in the diner scenes. --Jeff Shannon (Review copyright Amazon.co.uk)
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