Description
Agnès Varda used the skills she honed early in her career as a photographer to create some of the most nuanced, thought-provoking films of the past fifty years. She is widely believed to have presaged the French new wave with her first film, La Pointe Courte, long before creating one of the movement s benchmarks, Cléo from 5 to 7. Later, with Le
Agnès Varda used the skills she honed early in her career as a photographer to create some of the most nuanced, thought-provoking films of the past fifty years. She is widely believed to have presaged the French new wave with her first film, La Pointe Courte, long before creating one of the movement s benchmarks, Cléo from 5 to 7. Later, with Le bonheur and Vagabond, Varda further shook up art-house audiences, challenging bourgeois codes with her inscrutable characters and effortlessly beautiful compositions and editing. Now working largely as a documentarian, Varda remains one of the essential cinematic poets of our time and a true visionary. DIRECTOR-APPROVED SPECIAL EDITION FOUR-DISC SET FEATURES:
New restored digital transfers, supervised and approved by director Agnès Varda
Three short films by Varda: L Opéra Mouffe (1958), Du côté de la côte (1958), and Les fiancés du Pont Macdonald (1961)
On La Pointe Courte: new video interview with Varda
On Cléo from 5 to 7: a 2005 documentary on the making of the film; a short film from 2005 in which Varda retraces Cléo s steps through Paris; Varda speaking with Madonna about the film in 1993
On Le bonheur: new interviews with the three actors from the film; a 2006 discussion with four scholars about the film; footage of Varda on-set; 1998 interview with Varda; 2003 interviews on the concept of happiness
On Vagabond: a 2003 documentary on the making of the film; a 2003 interview with composer Joanna Bruzdowicz; a 1986 radio interview with writer Nathalie Sarraute; a 2003 interview with actress Marthe Jarnias
Theatrical trailers
New and improved English subtitle translations
PLUS: New essays by Chris Darke, Adrian Martin, Amy Taubin, and Ginette Vincendeau; plus, a foreword on each film by Varda herself
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