After the shock impact of the excellent The Wasp Factory in 1984, Iain Banks' work has split along two lines. On the one hand, he has written a series of acclaimed science fiction novels (with a devoted following, their own fan magazine and inclusion of his middle initial); on the other hand, a number of diverse, and eclectic, forays into contemporary fiction (for example, the successful television adaption of The Crow Road). The Business is the ‘90s success story run riot. The eponymous organisation is ancient, rich and invisible. All it lacks is a certain political clout, something the Business has avoided for centuries but with which it is now beginning to toy. A seat in the UN is at stake as Kate Telman, Level 3 executive, is drawn into the (rather polite) machinations of her superiors. Those expecting John Grisham may be disappointed. No bad thing, perhaps: Kate's personal-professional life-- there is, of course, no conflict here for the successful individual of the ‘90s--is the main concern. Banks' interest is in the moral debates about the position of the Business in a world it finds easy to manipulate, drawing the reader into a discussion of the place of the multi-national in contemporary economic and cultural life. "A lot of successful people are less hard-hearted than they like to think": is one view put forward, and not the only romantic but equivocal sentiment hiding somewhere in The Business.--John Shire
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