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Amazon Review
"Wake up, sir. We're here". It's a simple enough opening line--although not many would have guessed back in 1991 that this would lead to one of the most popular and critically acclaimed comics of the second half of the century. In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interestG
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Amazon Review
"Wake up, sir. We're here". It's a simple enough opening line--although not many would have guessed back in 1991 that this would lead to one of the most popular and critically acclaimed comics of the second half of the century.
In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman's own admission there's a lot in this first collection that is awkward and ungainly--which is not to say there are not frequent moments of greatness here. The chapter "24 Hours" is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let's not underestimate Gaiman's achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, there is a roguish breaking of new ground in this book which is preferable to the often dull precision of the concluding volumes of the Sandman series. --Jim Pascoe
"Death
"In the stories, Death is both the end of life and a psychopomp. Like most anthropomorphic personifications of death, Death meets with the recently deceased and guides them into their new existence. However, unlike most personifications of death, she also visits people as they are born, according to Destruction in the Sandman Special. Evidently, only she seems to remember these encounters. In the special issue, it is also revealed that Death was known in Ancient Greece as Teleute.
"Physi"